UW Press News, Reviews, and Events

News

Howard Zahniser, architect of the Wilderness Act.

As we approach the 50th anniversary of the signing of the Wilderness Act, several authors in our Weyerhaeuser Environmental Books series are partaking in the commemorations.

Mark Harvey, author of The Wilderness Writings of Howard Zahniser and Wilderness Forever: Howard Zahniser and the Path to the Wilderness Act, was interviewed by Colorado Public Radio about the Act’s rocky start. Listen to the full interview here. Harvey will also participate in the Visions of the Wild conference, to be held in early September in Vallejo, California.

Paul Sutter, Weyerhaeuser Environmental Books series editor and author of Driven Wild: How the Fight Against Automobiles Launched the Modern Wilderness Movement moderated the panel, “Wilderness Idea” at the USDA Forest Services’s Cradle of Wilderness event. A digital recording of the program will be available here.

Stay tuned for more events, interviews, and blog posts about the Wilderness Act in the coming weeks and months.

Reviews

How to Read the American West by William Wyckoff, reviewed in High Country News:

“A field guide unlike any other, with a focus on patterns, variations and the distribution of landscape features….it draws attention to eco-tones, watersheds, settlement patterns and corridors of connection…ultimately, it considers our grip on the land and the land’s grip on us. –Michael Engelhard, High Country News

 

No-No Boy by John Okada, reviewed in Shelf Awareness:

“[This new edition] brings Okada’s groundbreaking work to a new generation…an internee and enlisted man himself, [Okada] wrote in a raw, brutal stream of consciousness that echoes the pain and intergenerational conflict faced by those struggling to reconcile their heritage to the concept of an American dream. –Nancy Powell, Shelf Awareness

 

 

Confronting Memories of World War II: European and Asian Legacies, edited by Daniel Chirot, Gi-Wook Shin, and Daniel Sneider, reviewed in Foreign Affairs:

“Wars evoke powerful emotions: grief and pride, humiliation and honor, outrage and exultation. As this excellent volume reveals, such feelings can come to form essential parts of national mythologies, and this has been especially so in the case of World War II.” –Lawrence D. Freedman, Foreign Affairs

 

Upcoming Events

Lan Duong and Mariam B. Lam, Troubling Borders: An Anthology of Art and Literature by Southeast Asian Women in the Diaspora, Pomona Public Library, September 6 at 1 p.m.

William Wyckoff, How to Read the American West: A Field Guide, Western National Parks Association, September 24 at 12:00 and 2:00 p.m.

Jeffrey Karl Ochsner with Feliks Banel, Shaping Seattle Architecture: A Historical Guide to the Architects, Second Edition, Town Hall Seattle, September 30 at 7:30 p.m.

New Books

Mary Randlett Portraits
By Frances McCue
Photographs by Mary Randlett
Known for both her landscapes and portraits, Mary Randlett began documenting Northwest figures in 1963 when Theodore Roethke asked her to photograph him in his Seattle home. Hers were the last pictures taken of the poet before his death, and the portraits garnered international attention.

Randlett’s photographs represent an artistic and literary history of the Pacific Northwest. No other book brings together these important historical figures from the rich past and present of this region. A curated collection of ninety photographs from the more than six hundred portraits she took of Northwest artists, writers, and cultural luminaries, Mary Randlett Portraits documents the region’s artistic legacy through one woman’s camera lens.

Wilderburbs: Communities on Nature’s Edge
By Lincoln Bramwell, foreword by William Cronon

Since the 1950s, the housing developments in the West that historian Lincoln Bramwell calls “wilderburbs” have offered residents both the pleasures of living in nature and the creature comforts of the suburbs. Remote from cities but still within commuting distance, nestled next to lakes and rivers or in forests and deserts, and often featuring spectacular views of public lands, wilderburbs celebrate the natural beauty of the American West and pose a vital threat to it. By looking at wilderburbs in the West, especially those in Utah, Colorado, and New Mexico, Bramwell uncovers the profound environmental consequences of Americans’ desire to live in the wilderness.

 A Principled Stand: The Story of Hirabayashi v. United States
By Gordon Hirabayashi with James A. Hirabayashi and Lane Ryo Hirabayashi
New Paperback Edition

In 1943, University of Washington student Gordon Hirabayashi defied the curfew and mass removal of Japanese Americans on the West Coast, and was subsequently convicted and imprisoned as a result. In A Principled Stand, Gordon’s brother James and nephew Lane have brought together his prison diaries and voluminous wartime correspondence to tell the story of Hirabayashi v. United States, the Supreme Court case that in 1943 upheld and on appeal in 1987 vacated his conviction. For the first time, the events of the case are told in Gordon’s own words. The result is a compelling and intimate story that reveals what motivated him, how he endured, and how his ideals changed and deepened as he fought discrimination and defended his beliefs.

Narwhals: Arctic Whales in a Melting World
By Todd McLeish
New Paperback Edition

Among all the large whales on Earth, the most unusual and least studied is the narwhal, the northernmost whale on the planet and the one most threatened by global warming. Narwhals thrive in the fjords and inlets of northern Canada and Greenland. These elusive whales, whose long tusks were the stuff of medieval European myths and Inuit legends, are uniquely adapted to the Arctic ecosystem and are able to dive below thick sheets of ice to depths of up to 1,500 meters in search of their prey-halibut, cod, and squid. From a history of the trade in narwhal tusks to descriptions of narwhals’ vocalizations as heard through hydrophones, Narwhals reveals the beauty and thrill of the narwhal and its habitat, and the threat it faces from a rapidly changing world.

Behind the Covers: “No-No Boy”

NoNo-OkadaJohn Okada‘s classic novel, No-No Boy, tells the story of Ichiro Yamada, a fictional version of a real-life “no-no boy.” During World War II, Yamada answered “no” twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earned two years in prison and the hostility of his family and community when he returns home to Seattle. As Ruth Ozeki writes in her introduction to the new edition of the book, Ichiro’s “obsessive, tormented” voice subverts Japanese postwar “model-minority” stereotypes, showing a fractured community and one man’s “threnody of guilt, rage, and blame as he tries to negotiate his reentry into a shattered world.”

First published in 1956, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. It was not until the mid-1970s that a new generation of Japanese American writers and scholars recognized the novel’s importance and popularized it as one of literature’s most powerful testaments to the Asian American experience. In 2014, the University of Washington Press brought out a new edition of the book, with hopes of introducing it to yet another generation of readers. In this guest post, designer Thomas Eykemans discusses his process of creating the cover for this new edition of the book. 

No-No Boy is among the most important books that the University of Washington Press publishes. It was vital for me to understand it as best I could before approaching the design of this new reissue. After reading it and learning about its historical context, I did extensive research into past iterations of the book, including a dramatization. It seemed clear that, as historical fiction, an illustration would be the most appropriate approach.

NoNoBoy-01

Alternative interpretations of “No-No Boy.” Left to right: the original 1956 jacket design; a 1979 Japanese edition; a poster for a 2010 play adapted from the book.

NoNoBoy-02

The 1976 paperback edition of “No-No Boy,” published by UW Press and designed by Koji Onodera. The original cover was printed using four spot colors (black, brown, red, and a tiny bit of blue). Years later, in an effort to reduce printing costs, it was reduced to two colors (black and red). Without the blue ink, the United States flag became unrecognizable, resulting in the oddly unsettling cover that most people are familiar with.

We reached out to Jillian Tamaki, an award-winning contemporary illustrator who teaches at the School of Visual Arts and recently released her second graphic novel. We were impressed with her dramatic and expressive work for clients such as Vintage and the Folio Society, and hoped that she might be able to contribute a fresh interpretation of No-No Boy.

NoNoBoy-03

Preliminary sketches by Jillian Tamaki.

After several rounds of sketches, we settled on a downcast profile of Ichiro overlaid with a bold title. The typeface is a modified Futura, a geometric sans-serif that was ubiquitous in the 1950s and appropriate to the era. The downward diagonals of the “N” and “Y” letterforms intersect the upward angle of the profile, creating a tense visual “X” that pulls the eye to the center before expanding outward. The soft, cool tones of the illustration contrast the intense warmth of the title while also alluding to the national colors of the U.S. and Japanese flags. These elements combine to evoke the deeply conflicted character of Ichiro and his struggles to find his place.

No-No Boy by John Okada

The 2014 paperback edition of “No-No Boy,” designed by Thomas Eykemans and illustrated by Jillian Tamaki.

Robert Cantwell: A Northwest Writer Reworks American Fiction

Robert Cantwell—pioneer of the modern Pacific Northwest novel and Ernest Hemingway’s “best bet” for American fiction—has remained relatively unknown in the history of American literature. Until now. A new book, Robert Cantwell and the Literary Left: A Northwest Writer Reworks American Fiction, attempts to reclaim Cantwell’s legacy while also revealing the role he played in centering workers in twentieth-century American fiction. Here, author T.V. Reed discusses why reviving Cantwell’s literary legacy is essential to understanding both the literary history of the Pacific Northwest as well as broader trends in American history.

Robert Cantwell (1908–1978) is a lost writer of the Pacific Northwest. Born near Centralia and raised in the lumber towns of western Washington in the early years of the twentieth century, he became a significant literary figure in the New York of the 1930s. Yet he is now virtually unknown to all but a handful of experts on the literature of that era. He was Ernest Hemingway’s “best bet” for a fiction writer of his generation. F. Scott Fitzgerald said he “had a destiny as [a literary] star.” Cantwell rose to prominence in New York left literary circles based upon a fine first novel, Laugh and Lie Down, a kind of Northwest version of a Fitzgerald “lost generation” novel, and a superb second one, The Land of Plenty, the brilliant tale of the complex emotions at play during a lumber mill strike in a town like the Aberdeen of his adolescence. But his accomplishments as a writer with leftist beliefs and devoted to the idea that ordinary working folks should have their stories told with dignity in serious literature, ran afoul of the vicious post–Word War II anticommunism and McCarthyism, and his legacy has largely been buried.

Figure 4The historian of Northwest literature, Bruce Barcott notes that Cantwell’s The Land of Plenty, “the first modern novel to come out of the Northwest [was] innovative and brutal and gripping at the same time. If it had been set in New York or Chicago it would still be on college reading lists. It’s just a shame that it’s lost in the musty stacks instead.” I hope that my book, along with a lovely new edition of The Land of Plenty from Pharos Editions, will help bring Cantwell out of the dusty stacks and closer to the attention he deserves as a significant American and Northwest writer.

But my goal is not simply to rescue one talented fiction writer and critic from oblivion. I also want to draw greater attention to a much larger gap in popular knowledge about American literature and culture. For Cantwell was at the heart of a large-scale transformation that occurred in mid-twentieth-century U.S. culture, a transformation that Michael Denning has called “the laboring of American culture.”

Cantwell’s story matters both on its own merits and also because it gives insight into this larger mid-twentieth-century cultural process that moved millions of working-class U.S. citizens from the margins to the center of the society, only to subtly and not-so-subtly remarginalize them during and after the Cold War era. Failure to acknowledge this cultural project has meant that millions of everyday American workers have remained largely absent from the story of American literature and the wider story of US culture. I hope my book will play a small role in  reminding us of the point driven home by the Occupy Wall Street Movement,  that  social class  inequality in America is a key fact we must face head-on if we are to honor our pledge of liberty and justice for all.”

T. V. Reed is Buchanan Distinguished Professor at Washington State University. He is also the author of The Art of Protest: Culture and Activism from the Civil Rights Movement to the Streets of Seattle.

On August 27 at 7:00 p.m., T.V. Reed and Jess Walter—author of the new introduction to The Land of Plenty—will appear in conversation at Seattle Public Library. This event is cohosted by Seattle Public Library, Elliott Bay Book Company, and Pharos Editions. Learn more here.

 

Fall 2014 Events Preview

Readings, book talks, and signings give us a chance to do what we love most: build community and conversations around the written word. This fall, we have an exciting range of events lined up—from award-winning photography and rediscovered literary legacies to climate change and conservation activism, we’ve got you covered. We feature below a preview of a few of the local book events that we’re especially excited about, but be sure to check our events calendar for more opportunities to meet our authors in Seattle and beyond.

August 27: Celebrate the Life and Legacy of Robert Cantwell

T.V. Reed in conversation with Jess Walter // Seattle Public Library // 7:00 p.m.

Robert Cantwell

Robert Cantwell

Cantwell has been called the pioneer of the modern Pacific Northwest novel and ran in the same New York literary circles as Ernest Hemingway and John Dos Passos. Indeed, Hemingway considered Cantwell his “best bet for American fiction.” Yet few have heard of Robert Cantwell and his work.

As T.V. Reed shows in his new book, Robert Cantwell and the Literary Left: A Northwest Writer Reworks American Fiction, Cantwell found himself more and more at odds with the Literary Left as the movement shifted from focusing on American working-class socialism to supporting communist efforts across the globe. After publishing The Land of Plenty —a novel of the working-class set in Western Washington—to great acclaim in 1934, Cantwell abandoned novel-writing for a quieter career in journalism. As a result, his literary legacy was nearly forgotten.

In 2012, Seattle publisher, Pharos Editions, brought The Land of Plenty, back into print with a new introduction by New York Times best-selling author Jess Walter. The publication of Robert Cantwell and the Literary Left rounds out the effort to reintroduce Cantwell’s life and work to the broader public.

We hope that Jess Walter and T.V. Reed’s appearance at the Seattle Public Library will be the beginning of a much larger conversation about Cantwell’s contributions to Pacific Northwest and American literature.

More information here.

September 29: Seattle’s Greatest Architects

space needle2Jeffrey Karl Ochsner in conversation with Feliks Banel // Town Hall Seattle // 7:30 p.m.

The Space Needle, Gas Works Park, and Seattle Central Library are only a few of the city’s most unique architectural elements. Shaping Seattle Architecture: A Historical Guide to the Architects, Second Editon looks behind the scenes of our well-known landmarks, parks, and residential buildings to profile the architects who made it all possible. First released in 1994, the second edition includes updated information and profiles of four new architects, including pioneering female architect Jane Hastings and Richard Haag, of Bloedel Reserve Fame. This collection of 55 essays—ranging from early Puget Sound residential dwellings, to World War II developments and modern institutions—was edited by Jeffrey Karl Ochsner, professor of architecture at the University of Washington. He’ll appear in conversation with Feliks Banel, producer of “PIE” on KCTS 9 and host of “This NOT Just In” on KUOW 94.9.

More information and tickets here.

October 14: Images of the Northwest

Mary Randlett in conversation with Frances McCue // Town Hall Seattle // 7:30 p.m.

Pacific Northwest photographer Mary Randlett has been documenting notable local figures since her iconic 1963 images of Theodore Roethke — the last before the poet’s death. Mary Randlett Portraits includes images of Roethke, author Tom Robbins, art patron Betty Bowen, artist Jacob Lawrence, and more. Frances McCue, founding director of Hugo House, contributed biographical essays to accompany the photographs. McCue and Randlett will share the vision behind this collection of the artistic and literary culture of Washington, offering a glimpse at the great figures of the past and present.

More information and tickets here.

October 20: The Politics of Climate Change

Joshua Howe // Seattle Public Library // 7:00 p.m.

Howe, Joshua -- credit Casey NolanThe dangerous effects of global warming on health, ecosystems, natural disasters, and economics are at an all-time high, according to a recent United Nations report. Despite a better understanding of the science behind climate change, author Joshua Howe says we still don’t have a handle on this environmental problem. In Behind the Curve: Science and the Politics of Global Warming, he traces the history of the global warming debate, beginning with Charles D. Keeling’s 1958 readings of CO2. Howe says a solution is hard to find because political opponents focus on the science behind these discoveries, rather than what they say about our changing planet. In a history fraught with developing world vs. the developed world and liberals vs. conservatives, understanding the past is an important step in moving forward. Howe is a professor of history and environmental studies at Reed College.

More information to come.

October 26: Saving the Great Bear Wild

Ian McAllister // Town Hall Seattle // 7:30 p.m.

???????????Ian McAllister is a conservation activist who masterfully wields both camera and pen to document one of the last truly wild places in North America, the Great Bear Rainforest of British Columbia. In 2010, he was named a Leader of the 21st century by Time magazine for his work in cofounding the environmental advocacy organization, Pacific Wild, which he continues to run.

McAllister’s new book, Great Bear Wild: Dispatches from a Northern Rainforest, combines photographs of the astonishing biodiversity of the Great Bear Rainforest with essays that illustrate the many threats that climate change, oil pipelines, and resource extraction pose to the region.  The book features a foreword by Robert F. Kennedy Jr., who situates McAllister’s work within broader questions about wildlife conservation and energy consumption.

Jane Goodall comments on the book, “Through breathtaking photographs and moving prose, McAllister’s Great Bear Wild presents a compelling case for the urgent need to protect, in perpetuity, one of the most magnificent ecosystems on the planet—the increasingly threatened Great Bear Rainforest.”

More information to come. McAllister will also speak at the Portland Audubon Society on October 28.

November 10: Citizen Activism in the Making of Modern Seattle

R.M. Campbell, Mary Coney, and Wes Uhlman with David Brewster // Town Hall Seattle // 7:30 p.m.

05.01In the 1950s, the city of Seattle began a transformation from an insular, provincial outpost to a vibrant and cosmopolitan cultural center. As veteran Seattle journalist R. M. Campbell illustrates in Stirring Up Seattle: Allied Arts in the Civic Landscape, this transformation was catalyzed in part by the efforts of a group of civic arts boosters originally known as “The Beer and Culture Society.” This “merry band” of lawyers, architects, writers, designers, and university professors, eventually known as Allied Arts of Seattle, lobbied for public funding for the arts, helped avert the demolition of Pike Place Market, and were involved in a wide range of crusades and campaigns in support of historic preservation, cultural institutions, and urban livability.

In a discussion guided by Town Hall founder, David Brewster, members of the original Allied Arts group—Mary Coney and R.M. Campbell—and former Seattle mayor, Wes Uhlman, will examine the role of citizen activism in making Seattle what it is today.

More information to come.

UW Press News, Reviews, and Events

News

Our new Classics of Asian American Literature series has been getting a lot of attention lately:

Our new edition of Mine Okubo’s Citizen 13660 will be featured along with nine other graphic novels in the September 2014 issue of Foreword Reviews:

“Originally published in 1946, Citizen 13660 is a documentation of life inside the World War II “relocation centers” for those of Japanese ancestry. This oft-overlooked portion of American history is brought poignantly to life by Okubo’s expressive ink drawings and accompanying text…Without a doubt, this book should be on required reading lists for high schools across the country.”

The International Examiner featured a review of Monica Sone’s Nisei Daughter:

“Nisei Daughter is a book of its time, but it deserves to be read and re-read and considered within changing cultural perspectives and treasured for the voice it gives to a period in American history that still needs to be understood and should never be forgotten.” Read the full review here.

 


In a Facebook post, writer Ruth Ozeki reflected on her experience writing the foreword to the new edition of John Okada’s No-No Boy:

“The University of Washington Press asked me to write a foreword (excerpted here) for their beautiful new edition of the classic novel, No-No Boy, by John Okada. The novel centers around the infamous loyalty questionnaire given to Japanese-American men during WWII, and in particular the bitter experience of a young man who refuses to serve in the U.S. armed forces and swear loyalty to the country that had interned him and his family.

I decided to write the foreword as a letter to John Okada, who died in 1971, never realizing that his novel would become a classic. I wanted him to know that his book is still being read. I think he would be proud of this new edition.”

Finally, our Classics of Asian American Literature initiative was featured in this article from Asian American News. We appreciate all the coverage and hope it will help in our mission to bring these books out to a new generation of readers! Continue reading

Photo Essay: Exploring Seattle’s Architectural History

From the Space Needle and Pike Place Market  to the Smith Tower and Suzzallo Library, Seattle is a city defined by its iconic buildings. In the image-rich new edition of Shaping Seattle Architecture: A Historical Guide to the Architects, editor Jeffrey Karl Ochsner and volume contributors bring to life the city’s fascinating built environment and the architects who worked to create it. Here we provide a sampling of what the book has to offer through ten photographic glimpses into the city’s rich architectural landscape.

Learn more about Seattle’s architectural history and celebrate the publication of the updated edition of Shaping Seattle Architecture at two upcoming events:

Book signing, reading, and reception with Jeffery Karl Ochsner
at Peter Miller Books, August 6 at 6:00 p.m.

Jeffrey Karl Ochsner in conversation with Feliks Banel
at Town Hall Seattle, September 29 at 7:30 p.m.

1. Alaska Building

0C-05-AlaskaBuilding (2)

Photo credit: University of Washington Libraries Special Collections, 1905. Photo by Asahel Curtis

Alaska Building, built 1903–4, designed by Eames & Young with Saunders & Lawton (superintending). The first of the city’s steel-frame high-rise office buildings rose fourteen stories to tower over surrounding construction. Continue reading

No-No Boy: Ruth Ozeki Reflects on the Legacy of a Japanese American Classic

Originally published in 1957,  John Okada‘s No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life “no-no boys.” Yamada answered “no” twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle.

As Ruth Ozeki writes in her foreword to the new edition of this classic book, Ichiro’s “obsessive, tormented” voice subverts Japanese postwar “model-minority” stereotypes, showing a fractured community and one man’s “threnody of guilt, rage, and blame as he tries to negotiate his reentry into a shattered world.” Here, we feature an excerpt from Ozeki’s  powerful new foreword, which she wrote as a personal letter to John Okada.

Dear John Okada,

I’m writing to you across time, as one writer to another, to congratulate you on the reissue of your groundbreaking novel, No-No Boy. The University of Washington Press has done me the honor of asking me to write a new foreword to your book, and to tell you the truth, I’m nervous. I wish I could consult with you, or visit you and ask you for your blessing, but I can’t.

You probably don’t even know that your novel was groundbreaking. When it was published, back in 1957, you probably thought it was a colossal failure. It’s hard enough to write a novel, and harder still to get one published, but then to have it so completely ignored—this must have been crushing. Your original publisher, Charles E. Tuttle, was based in Tokyo, which I’m sure didn’t help your chances for success in North America. The few critics here who bothered to review it pretty much panned it.They bitched about your “bad English” and said it wasn’t literature. Even Japanese Americans shunned it. It seems they were embarrassed by it, which sounds crazy now, but in retrospect I suppose I understand why. In No-No Boy you wrote unflinchingly about the scarring experience of being a Japanese American on the West Coast during World War II, but that war had only ended twelve years earlier, and twelve years is no time at all. When your book came out, Japanese Americans were busy keeping their heads down, assimilating, and working on becoming the model minority of 1950s America. It’s understandable. They had been rounded up and sent to prison camps in the desert. They had lost their homes and businesses and communities. They had suffered, and they wanted to move on. No-No Boy was radical, but it was ahead of its time. It was angry and raw. It touched nerves and opened wounds. It reminded them of a past they wanted to forget, and so they rejected it. Your book disappeared almost overnight. Continue reading