Monthly Archives: February 2023

Civil Rights under the Northern Lights: Excerpt from Black Lives in Alaska

Black Lives in Alaska: A History of African Americans in the Far Northwest maps the trials and challenges African Americans have encountered in the forty-ninth state. The earliest arrivals, many of whom worked as whalers, prospectors, and service members, did not always stay long. Others put down roots and lived full lives in Alaska. These Black individuals fought for greater inclusion and helped establish Alaska’s modern civic institutions, contributing to the political and social life of the state even as they endured racism and fought injustice.

The excerpt below touches on Alaska’s history of race relations and civil rights. This history reminds the reader that the currents of discrimination and its responses—self-activity, activism, and perseverance—are American stories that might be explored in the unlikeliest of places. Even as it reveals the specific context of the state’s complex history, Alaska’s Black history encompasses the themes of the larger nationwide freedom struggle and enriches the history of people of African descent in North America. —Ian C. Hartman

Black Lives in Alaska: A History of African Americans in the Far Northwest by Ian C. Hartman and David Reamer

In the summer of 1962, African Americans and other area activists joined together to picket Carrs, Alaska’s largest grocery store chain. Clarence Coleman, branch president of the Anchorage NAACP, wrote to Roy Wilkins at the national office in New York City: “The first picket line in the history of the Anchorage NAACP began its task of protesting the hiring policies of Carrs Food Center here in Anchorage today 31 July 10 am Alaska Standard Time.”1 Coleman’s statement was not quite true. Five years earlier, Joseph M. Jackson and James E. Owens organized area workers and set up a picket outside of the Local 341 Laborers and Hod Carrier Union Hall. They and others sought an inclusive union for African American and Alaska Native workers and called for greater transparency in promotion guidelines. Owens stated that direct action “was the only way we’re going to get equality.”2

The picket of Carrs in Anchorage’s Fairview neighborhood was a watershed moment in the history of civil rights in Alaska. Many in the Black community took issue with the grocery store’s apparent refusal to hire African Americans to work in any capacity beyond sanitation and other so-called menial, low-level jobs. In one correspondence Bernard J. Carr Sr., an owner of the grocery store chain, conceded he had “two Negro employees,” a garbage collector and a janitor. But he continued, “The time is not right to hire a Negro checker.” Activist Pat Berkley recollected, “They [Carrs] didn’t want to hire any Blacks. And of course, Pop Carr…wasn’t to hire any Blacks because he had hired one [who] became very friendly with a white girl that worked there, so that was the end of that.”3 Still, the NAACP suggested the grocer benefited from a base of African American patrons and, as such, should hire and promote a few as employees. At its Fairview store, over 30 percent of the clientele was Black, yet not a single African American worked in management or any position that interfaced with the public.4

In response, men and women took to the picket line outside of Carrs to raise awareness. Though she was seven months pregnant, Anchorage resident and activist Pat Berkley helped organize the picket and led the women to march on the line during the day; the men walked in the evening. Cars and pedestrians “booed and laughed at [us],” Berkley remembered.5 Despite some negative reaction, the picket seemingly worked; owners agreed to hire a more diverse workforce. Organizer Joseph Kline summarized the terms of the agreement: Carrs grocery would “hire one person immediately. The second within thirty days and the third sixty days after the first.” These positions were supposed to include a clerk, cashier, or grocery checkers, all of which afforded a greater possibility for advancement than the menial positions that the picketers accused Carrs of reserving for Black workers.6

Unfortunately, Carrs failed to hire three African Americans within the agreed-upon sixty days, but the NAACP kept up its pressure, and the grocery store eventually complied. Richard Watts was the first man Carrs hired as a result of the picket. He became the first African American bagger at the store and stayed with the grocer for over forty-five years. In accordance with what the activists envisioned, Watts did not remain a bagger for long. He ascended the chain of management; by the end of a long and distinguished career, Watts had become a district manager and participated in the local business community as a member of the board of directors for the Anchorage Chamber of Commerce.7

The picket of Carrs in Anchorage’s Fairview neighborhood was a watershed moment in the history of civil rights in Alaska.

The Carrs boycott anticipated more extensive changes in Fairview that had come about by the middle of the 1960s. During this decade the neighborhood emerged as a center of activism and civic engagement in Anchorage. Its reputation as one of Anchorage’s most diverse communities only grew, as did the fear that city leadership might continue to neglect the needs of its residents. After the redevelopment and so-called urban renewal of Eastchester Flats, roughly the southern tier of Fairview, men and women on the community council grew more determined to ensure the existing neighborhood would not be left out as Anchorage leadership plotted new recreational outlets for residents. Olivia Holland, Ben Humphries, and John Parks, all active on the neighborhood council, led an effort to set aside land for a park and later spearheaded an effort to deliver public transportation throughout Anchorage. These efforts took considerable effort but would yield tangible results for the residents of Fairview in the decades to follow.8

Beyond the Carrs boycott in Fairview, activists protested and organized against mistreatment and discrimination elsewhere during the early and mid-1960s. In Anchorage and Fairbanks, residents established employment workshops to organize letter writing campaigns and rallies and to reach out to area businesses to connect minority job candidates with desirable employment. The workshops in Anchorage organized pickets at Caribou-Wards and Woolworths; one woman in Anchorage, Lillian Morris, took a lead role in the Woolworths pickets and led the area employment workshop. Fairbanks activists also organized a picket of Woolworths in their hometown. The efforts paid off, at least to some extent. Sears, Roebuck and Company agreed to interview and hire qualified African American, Native, Filipinx, and Mexican applicants. The Spenard Caribou-Wards hired two Black salesclerks and agreed to file and retain applications for a longer period, a concession to the employment workshop. The Anchorage Woolworths hired a Black employee for the first time. These efforts did not approach the level of equity that the Employment Workshop ultimately desired, but they represented a small measure of progress.9


Ian C. Hartman is associate professor of history at the University of Alaska Anchorage.

David Reamer is a public historian and journalist who writes for the Anchorage Daily News.


Notes

1 Clarence V. Coleman to Roy Wilkins via Western Union Telegram, August 1, 1962, Papers of the NAACP, Part 27: Selected Branch Files, 1956–1965, Series D: The West, ed. John H. Bracey Jr., Sharon Harley, and August Meier. Available on microfilm at the Consortium Library, University of Alaska Anchorage.

2 For reference to the picket on the Local 341 Laborers and Hod Carrier Union, see Papers of the NAACP, Supplement to Part 13, the NAACP and Labor, 1956–1965, edited by John H. Bracey Jr. and August Meier (folder 14), available on microfilm at the University of Alaska Anchorage. For additional reference, see Meier Randall Keenan, Walking on Water: Black American Lives at the Turn of the Twenty-First Century (New York: Vintage, 2000), 284.

3 Charlie Mae “Pat” Berkley, interview by Bruce Melzer, c. 1982–1983, Bruce Melzer oral history interviews, Archives and Special Collections, Consortium Library, University of Alaska Anchorage.

4 NAACP News Letter, Papers of the NAACP, Part 27: Selected Branch Files, 1956–1965, Series D: The West, Consortium Library, University of Alaska Anchorage.

5 Charlie Mae “Pat” Berkley, interview by Bruce Melzer, c. 1982–1983.

6 Joseph H. Kline Jr. to Roy Wilkins, March 3, 1963. Papers of the NAACP, Part 27: Selected Branch Files, available on microfilm at the Consortium Library, University of Alaska Anchorage.

7 For a brief report on Richard Watts’s career at Carrs, see Christine Kim, “Carrs’ First Black Worker Recalls His Rise through the Ranks,” February 19, 2010 on KTUU. For the announcement of Watts on the board of directors for the Anchorage Chamber of Commerce, see “Anchorage Chamber’s 2013–14 Board of Directors Announced,” Alaska Dispatch News, September 12, 2013.

8 “City officials tour Fairview neighborhood park,” Anchorage Times, August 2, 1967, 1.

9 Dianne Anderson, “Protest Group Gets Results, With and Without Picketing,” Anchorage Daily Times, August 13, 1968, 3.

Attending CAA? Save 30% on UW Press Books

We look forward to connecting with everyone at the 2023 College Art Association annual meeting, taking place in New York City on February 15-18.

Be sure to visit UW Press in the Book and Trade Fair at booth 221 for a 30% discount on new and notable titles. We have a rich and varied catalog in Asian art, Native American and Indigenous art, visual culture, and more. Our virtual exhibit is now open, and you can take early advantage of the conference discount with code WCAA23 at checkout. The code will be valid for CAA members through March 15, 2023.


Discover New and Notable Books


Learn About Our Art and Visual Culture Series

Native Art of the Pacific Northwest: A Bill Holm Center Series

Publishing important new research on the Native art and culture of the greater Pacific Northwest, this series aims to foster appreciation of the dynamic cultural and artistic expressions of the Indigenous peoples of the region. Grounded in art history, the series encompasses investigations of historical productions and contemporary manifestations of cultural expression as well as the important intersections between time, place, technique, and viewpoint.

Critical Ethnic Studies and Visual Culture

This new book series engages insights from critical ethnic studies and visual culture, and encourages innovative interdisciplinary antiracist work that challenges and transforms our understanding of race, ethnicity, and the visual. Focusing on art, new media, art history, visual anthropology, visual culture, craft, fashion, and other forms of cultural expression, the series brings together works that engage decolonization and social justice with an intersectional emphasis on race, ethnicity, class, sexuality, disability, and gender.


See What’s New and Forthcoming from Our Publishing Partners

Black History Month Book List

In celebration of Black History Month, we invite you to check out recent books as well as select titles from our backlist in Pacific Northwest, African American, and Black Diaspora historical studies that speak to the profound legacy of Black Americans and this year’s theme of Black resistance.

Black Lives in Alaska: A History of African Americans in the Far Northwest

Centering the agency and diversity of Black Alaskans, this book chronicles how Alaska’s Black population, though small, has had an outsized impact on the culture and civic life of the region. Alaska’s history of race relations and civil rights reminds the reader that the currents of discrimination and its responses—determination, activism, and perseverance—are American stories that might be explored in the unlikeliest of places.

The Forging of a Black Community: Seattle’s Central District from 1870 through the Civil Rights Era

University of Washington Emeritus Professor of American History Quintard Taylor’s meticulously researched account is essential to understanding the history and present of the largest black community in the Pacific Northwest. The second edition features a new foreword and afterword.

Revolution to Evolution: The Story of the Office of Minority Affairs & Diversity at the University of Washington

Born from a national movement in the late 1960s seeking to address structural and cultural racism, the Office of Minority Affairs & Diversity (OMA&D) started as a core group of Black Student Union leaders at the UW who demanded changes in how the school served students of color. In a new book releasing February 21, legendary founding member Emile Pitre shares deep insight into the making of the institution through candid interviews, letters, and reflections of those who participated across decades.

Emerald Street: A History of Hip Hop in Seattle

In this rich narrative, Daudi Abe draws on interviews with artists and journalists to trace how hip hop flourished in the Seattle scene. He shows how Seattle hip-hop culture goes beyond art and music, influencing politics, the relationships between communities of color and law enforcement, the changing media scene, and youth outreach and educational programs.

The Portland Black Panthers: Empowering Albina and Remaking a City

Combining histories of the city and its African American community with interviews with former Portland Panthers and other key players, this long-overdue account adds complexity to our understanding of the protracted civil rights movement throughout the Pacific Northwest.

Black Women in Sequence: Re-Inking Comics, Graphic Novels, and Anime

Beginning with the 1971 appearance of the first Black female superheroine in a comic book—the Skywald Publications character “the Butterfly”—artist, curator, and writer Deborah Elizabeth Waley examines the representation, production, and transnational circulation of women of African descent in the sequential art world.

Migrating the Black Body: The African Diaspora and Visual Culture

How is the travel of black bodies reflected in reciprocal black images? How is blackness forged and remade through diasporic visual encounters and reimagined through revisitations with the past? This volume brings together an international group of scholars and artists who explore these questions in visual culture for the historical and contemporary African diaspora.

Love for Liberation: African Independence, Black Power, and a Diaspora Underground

Through interviews with activists, extensive archival research, and media analysis, Robin Hayes reveals how Black Power and African independence activists created a diaspora underground, characterized by collaboration and reciprocal empowerment. Together, they redefined racial discrimination as an international human rights issue and laid the groundwork for future transnational racial justice movements, such as Black Lives Matter.

Louisiana Creole Peoplehood: Afro-Indigeneity and Community

Over the course of more than three centuries, the diverse communities of Louisiana have engaged in creative living practices to forge a vibrant, multifaceted, and fully developed Creole culture. Engaging themes as varied as foodways, queer identity, health, historical trauma, language revitalization, and diaspora, this volume explores vital ways a specific Afro-Indigenous community asserts agency while promoting cultural sustainability, communal dialogue, and community reciprocity against the backdrop of ongoing anti-Blackness and Indigenous erasure.

Barbara Earl Thomas: The Geography of Innocence

Artist Barbara Earl Thomas’s body of work collected here offers a reexamination of Black portraiture and the preconceived dichotomies of innocence and guilt and sin and redemption, and the ways in which these notions are assigned and distorted along cultural and racial lines.