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Between the Tides in Washington and Oregon: Q&A with Ryan P. Kelly, Terrie Klinger and John J. Meyer

A spectacular variety of life flourishes between the ebb and flow of high and low tide. Between the Tides in Washington and Oregon uncovers the hidden workings of the natural world of the shoreline. Richly illustrated and accessibly written, the guide illuminates the scientific forces that shape the diversity of life at beaches and tidepools.

Ryan P. Kelly is associate professor in the University of Washington’s School of Marine and Environmental Affairs. Terrie Klinger is professor in the UW’s School of Marine and Environmental Affairs. John J. Meyer is senior director of science communication in the UW’s College of the Environment.

Can you tell us a bit about Between the Tides in Washington and Oregon and what motivated you to write the book? How does it differ from other coastal guides?

Terrie Klinger: This book is about the wonder of the intertidal environment, why it is unlike any other on Earth, and the seaweeds and animals that have evolved to live in such a place. We wanted to share that wonder with others who might not be marine scientists. The title evokes Ed Ricketts’s Between Pacific Tides. Published in 1939, Ricketts’s book is widely held to be the classic in the field. We wanted to honor that book and the lasting influence it has had on each of us.

John J. Meyer: The Pacific Northwest is brimming with so much incredible life and beauty between the tides—the diversity of marine invertebrates and seaweeds is just stunning. We wanted to shine a light on these special places, which many folks don’t discover unless they just happen to be at a good rocky beach on a good low tide. A little planning can unlock a world you never knew was there!

Ryan P. Kelly: This book is an attempt to tell people why the species at the shore are where they are, rather than simply being another guide about what one might find there. It’s about ecology, about process. That’s pretty unusual in a book for non-specialists.

There’s a degree of order to the apparent messiness of life along the shore, and uncovering the hidden rules that result in that order is really exciting.

Ryan P. Kelly

What are the main themes of the book and how are they brought to life?

Kelly: We wanted to show, rather than tell. While the themes are those that you might find in a course on marine ecology, we tried to bring those to life by highlighting examples that the reader might run across during a visit to particular places. That was the power of using individual places along the coast as a way to illustrate processes that happen in many other places as well.

Klinger: Intertidal habitats and the species that occupy them are our focus. Habitats determine who can live where, and once occupied, the residents in turn shape their habitats—like your neighbors shape your neighborhood. We try to shed some light on these complexities.

Meyer: To support showing not telling, this book is filled with many photos that are more than just pretty pictures; they are meant to visually bring the vignettes we write about to life.

Who is this book for and how would you recommend readers approach it?

Kelly: The book is for everyone! Mostly non-scientists, but the kinds of curious, outdoorsy people that might find themselves at the shore. We ended up with a lot of text at the beginning that bears reading straight through, but the geographically specific chapters are meant to be read in bits, perhaps as the reader is headed out on a road trip.

Klinger: Nearly anyone who likes to stroll along on the beach, stumble across slick rocks, and explore out-of-the way places along the Washington and Oregon coasts might find something of interest in this book. Readers can jump around to find fun facts and satisfy their curiosity or read from cover to cover for a consistent narrative. My friend Jane, who just celebrated her hundredth birthday, read all the place-based chapters before diving into the first two chapters.

Meyer: This book is meant for people who love to discover new things. So much of what’s living in the intertidal looks and behaves like nothing else, it’s almost like discovering organisms from another planet here on Earth.

Surfgrass (Phyllospadix sp.) grows alongside subtidal kelp (Laminaria setchellii) at Ecola State Park in Oregon.

Which location or site in the book is your favorite to visit and why?

Meyer: Second Beach in Olympic National Park is a favorite. I discovered it nearly thirty years ago while on a road trip and have gone camping there every summer since. I always couple my visit with a good low tide for some excellent tidepooling, which is backdropped against a spectacularly beautiful location.

Kelly: I just fell in love with Ecola State Park in Oregon during a research trip, and I’ve been back since. What a beautiful place.

Klinger: The rocky sites are my clear favorites. They’re chock-full of interesting species arranged in ways that beg for investigation and explanation.

What’s your favorite species profiled in the book? Are there any fun facts that you’d like to share?

Kelly: I did my PhD on chitons, and so I suppose I can’t resist a good chiton. Tonicella lineata, the lined chiton, is probably the most beautiful thing you’re likely to see on the outer coast.

Meyer: A friend of mine introduced me to the sea palm, Postelsia palmaeformis, years ago, and it’s been a favorite ever since. Watching hundreds of them getting bowled over by crashing waves and then pop back up is one of my favorite things to see.

Klinger: There are some fun facts for sure—for instance, the story about the horse stuck in a sea of foam—and I have a ton of favorite species. One favorite is the air-breathing sea slug called Onchidella—I’m always excited to find one.

The sea palm (Postelsia palmaeformis) grows among mussels and barnacles on wave-swept shores.

What do you hope readers will take away from the book?

Klinger: I might hope readers deepen their curiosity about life in the intertidal and the puzzling complexity of nature all around us.

Kelly: A sense of wonder, really. But also a sense that there are answers to questions like “why is this snail here, but not over there?” There’s a degree of order to the apparent messiness of life along the shore, and uncovering the hidden rules that result in that order is really exciting.

Meyer: I think once you understand something a bit more, you care about it a bit more. I hope readers walk away indeed with a sense of wonder that also translates to stewardship.


Upcoming Events

April 11, 6:00 pm at the University Book Store: Learn more about the intertidal zone at an author talk with Terrie Klinger and Ryan P. Kelly. Register for this free event here.

May 13, 11:00 am–4:00 pm, at Friday Harbor Laboratories Open House: The San Juan Island marine biology field station of the UW College of the Environment, Friday Harbor Labs, invites the community to their annual Open House. Guests may meander about the campus and experience touch tanks, science demonstrations, seaweed pressing, and a science speaker series that will include a talk with Terrie Klinger. Visit the FHL news and events page and stay tuned for more details!

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UW Press at ASEH 2023

We are looking forward to connecting with everyone at the American Society for Environmental History Annual Conference, taking place in Boston, March 22-26. We are pleased to offer ASEH members a 30% discount on all orders. Stop by our booth at Exhibit Space 12 to meet our editors, browse our latest releases, and learn about forthcoming titles. Visit our virtual exhibit for more details.

For those not attending, or when placing an order through our website, you can take advantage of the conference discount through April 30, 2023 with code WASEH23 at checkout.


Book Signing with James Morton Turner, author of Charged

Thursday, March 23, 3:00-3:30 PM

Visit our exhibit space for a signing with James Morton Turner, author of Charged, “an eminently readable, elegantly precise treatise on the topic of batteries” (Science).

Turner unpacks the history of batteries to explore why solving “the battery problem” is critical to a clean energy transition. As climate activists focus on what a clean energy future will create—sustainability, resiliency, and climate justice—the history of batteries offers a sharp reminder of what building that future will consume: lithium, graphite, nickel, and other specialized materials. With new insight on the consequences for people and communities on the frontlines, Turner draws on the past for crucial lessons that will help us build a just and clean energy future, from the ground up.


Discover New and Notable Books

Visit our virtual exhibit to learn more about new and forthcoming books in environmental history.


Learn About Our Relevant Series

Weyerhaeuser Environmental Books explore human relationships with natural environments in all their variety and complexity. They seek to cast new light on the ways that natural systems affect human communities, the ways that people affect the environments of which they are a part, and the ways that different cultural conceptions of nature profoundly shape our sense of the world around us.

The Outdoors: Recreation, Environment, and Culture critically examines the dynamic social and political questions connected to outdoor experiences. While outdoor recreation provides a means to interact with nature and experience solitude or adventure, it also raises issues such as the dispossession of Indigenous lands, the exclusivity of recreational cultures, and the environmental impact of outdoor practices. This series aims to explore these tensions and the landscapes that have come to embody them.

UW Press at AAS 2023

If you’re attending the annual Association for Asian Studies conference this week in Boston, be sure to visit UW Press at Booth 415 for a 30% discount on new and notable books—from a pathbreaking study on a celebrated site of Buddhist art to an examination of wood and woodlands in Asian history. You can take advantage of our conference discount by entering code WAAS23 at checkout now through April 14.


2023 AAS Award Winners

Bei Shan Tang Monograph Prize

We are thrilled that two of our books received an inaugural Bei Shan Tang Monograph Prize, established to honor outstanding and innovative sole-authored monographs on Chinese art history.

Winner: What the Emperor Built: Architecture and Empire in the Early Ming by Aurelia Campbell. This book has also received an Honorable Mention for the Alice Davis Hitchcock Book Award from the Society of Architectural Historians.

Honorable Mention: A Fashionable Century: Textile Artistry and Commerce in the Late Qing by Rachel Silberstein. This book was also awarded the 2021 Millia Davenport Publication Award, sponsored by the Costume Society of America.


Discover New and Notable Books

Learn more about these and other Asian studies titles in our virtual exhibit.

Image of book, Spatial Dunhuang, stood up at an angle to show spine

Experiencing the Mogao Caves: Excerpt from Spatial Dunhuang by Wu Hung

Constructed over a millennium from the fourth to fourteenth centuries CE near Dunhuang, an ancient border town along the Silk Road in northwest China, the Mogao Caves comprise the largest, most continuously created, and best-preserved treasure trove of Buddhist art in the world.

Previous overviews of the art of Dunhuang have traced the caves’ unilinear history. In the newly released Spatial Dunhuang, renowned Chinese art historian Wu Hung examines the caves from the perspective of space, treating them as physical and historical sites that can be approached, entered, and understood sensually. The book includes more than 100 photographs as well as diagrams that further illustrate the actual experience of the people who built and used the Mogao Caves. Here, we feature an excerpt and share a look inside the book.


The scholarship of an era must have new materials and new questions. Utilizing these materials to explore questions gives rise to new trends in the scholarship of the time. Scholars who can participate in these trends are said to be yuliu (“entering the currents,” to borrow a phrase from Buddhism). Scholars who cannot participate in these trends are said to be buyuliu (“not entering the currents”). This is a constant principle in academic history past and present. It is not something that cloistered scholars would be able to comprehend.

—Chen Yinke, “Chen Yuan Dunhuang jieyu lu xu”

Written nearly a century ago, Chen Yinke’s words can still be considered a “constant principle in academic history past and present,” but they require us to rethink the relationship between “materials” and “questions” in academic research.1 It must be noted that, when we invoke this passage now, “the time” no longer refers to 1930, when he wrote that text; it is the present, ninety years later. In the intervening time, Dunhuangology, or Dunhuang studies (Dunhuang xue), has grown from an obscure sideline into a broad field of knowledge, and the art history of Dunhuang has matured out of virtually nothing into a distinct branch of scholarly research.2

When Chen wrote that passage, scholars around the world had just recognized the historical value of the hidden manuscripts discovered in the Library Cave at Dunhuang. People saw only the tip of a vast iceberg, the rest of which was still waiting to be explored and understood. The state of Dunhuang studies is decidedly different today. Most of the Dunhuang manuscripts held in institutions all over the world have been reproduced and published, and the beautiful sculptures and wall paintings of the Mogao Caves have been repeatedly presented in massive, gorgeous catalogs. Without leaving the house, people can now use the internet to enter the virtual caves that the Dunhuang Research Academy has replicated with 3-D technologies. Are these still “new materials”? My answer would be both yes and no; the key is whether there are new questions leading us to explore the unknown dimensions of this data. Chen’s idea that “the scholarship of an era must have new materials and new questions” should thus be reinterpreted: whereas the newly discovered Dunhuang manuscripts and artworks led to new research questions a century ago, today new questions compel us to re-excavate these materials. Without research there would be no new questions, but if there were no new questions, any materials, even if previously unknown, could only support the existing view.

When people visit the Mogao Caves, the place they see is certainly not arranged in chronological order. Rather, caves of disparate sizes are laid out unevenly and often overlap, transforming a one-kilometer-long cliff face into a magnificent yet disorienting honeycomb.

Wu Hung

In this book, I have chosen to re-excavate materials related to the art of Dunhuang through the perspective of space, in the hope that this perspective will help reveal new layers of meaning for these materials. I say this because, although there are countless overviews of the art of Dunhuang, the framework is generally temporal. Guided by the dynasties of China’s past, these accounts present a linear history of the Mogao Caves and the other cave complexes at Dunhuang. Of course, this is an effective, and one might say indispensable, method. But we should also note that its foundation is history, not art; the latter encompasses the synchronic presence of architecture, sculpture, and painting in actual space, not diachronic events and biographies in a history book. When people visit the Mogao Caves, the place they see is certainly not arranged in chronological order. Rather, caves of disparate sizes are laid out unevenly and often overlap, transforming a one-kilometer-long cliff face into a magnificent yet disorienting honeycomb. This “undigested” spatial experience is what conventional art historical narratives want to overcome: by classifying and dating heterogeneous caves according to content and style, and then reorganizing them into a linear historical progression, conventional art history creates a neat sequence out of the Mogao Caves. This sequence exists only in texts, however. Having “absorbed” the tangible yet chaotic caves into an orderly chronological development, this sequence supplants the actual place and hinders perceptions and explorations of space.

In an essay on the relationship between time and space, the psychologist and art theorist Rudolf Arnheim wrote: “The time dimension possesses no sensory medium of its own,” but space “is directly embodied in the visual world.”3 In this sense, this book’s proposition to reinvestigate the art of Dunhuang from a spatial perspective entails two basic methods. First, we will take the caves as they actually are as the focus of sustained art historical investigation and elucidation. Second, we will attempt to understand the caves’ historical meaning beginning with visitors’ experiences. These two methods fuse with and complement each other in the concept of space, because space is humanity’s perception of the objective world, rather than the objective world itself. As Arnheim defined it: “What we call Space, then, is the perceptual system that controls the relations between independent object systems.”4 With regard to the Mogao Caves, this perceptual system transforms the caves into features such as dimensions, shapes, directions, distances, proportions, areas, borders, and centers. It also connects the appearances of the caves seen from different distances into the continuous experience of space—from the mountain range on the horizon, to the cliff face covered in caves, to the thousands of deities emerging from the darkness inside the caves. The instruments used to sense space are, first, the body and, then, the eye. Reinvestigating the artistic materials of Dunhuang from the perspective of space requires activating the body’s key role. When recently discussing how to look at a work of sculpture, the art critic Peter Schjeldahl wrote: “Clear your mind. Let your body tell you what’s happening. Then your mind may start up again, pondering the work’s significance.”5 This provides an appropriate explanation of this volume’s title—Spatial Dunhuang: Experiencing the Mogao Caves.


Notes

1. Unless otherwise noted, all translations are my own.
2. Zhao Shengliang, Dunhuang shiku yishu jianshi, 37–41.
3. Arnheim, “A Stricture on Space and Time,” 653.
4. Arnheim, “A Stricture on Space and Time,” 649.
5. Schjeldahl, “Richard Serra Will Jolt You Awake,” 74–75.


Wu Hung is Harrie A. Vanderstappen Distinguished Service Professor in Chinese Art History at the University of Chicago. He is the author of fifteen books and anthologies, including Story of Ruins: Presence and Absence in Chinese Art and Visual Culture and Contemporary Chinese Art: A History.

Spotlight on UW Press Interns

Every year, the University of Washington Press offers paid internships to UW students interested in pursuing careers in publishing. Students work in departments throughout the press, gaining on-the-job experience and receiving mentorship from publishing professionals. As part of UW Libraries Student Employee Appreciation Week, we invite you to meet our current group of book-loving interns below. We asked them to share what excites them about publishing, how they contribute to the work of the press, and (of course) their favorite UW Press book.

If you’re a current UW student interested in learning more about a position at UW Press, we would love to hear from you. Write to us at uwapress@uw.edu.

Acquisitions

C Mouhibian, Sophomore in History

I help prepare manuscripts from proposal to launch! This includes corresponding with the author to receive all the images, text, and anything else that would be included in the final project.

I’ve always been a big nerd about books and obsessed over certain authors and small publishers. It interested me to find out what the process behind the scenes was like, all the steps a book goes through to find its way on a shelf. I’ve learned so much about the publishing process, which has really illuminated what a career in books could look like to me. I hope this experience will prepare me for future positions in presses and libraries, which is where I see myself working in the future!

Favorite UW Press book: I’ve been meaning to read Feminista Frequencies. I found it cool that it focuses on such an analog form of technology like radio and how that was specifically a tool to build community across distance.

Ishita Shahi, Graduate student in Digital Media

Every day is new learning at UW Press. I say this especially because we receive thoroughly researched and diverse book proposals that are distinctive in one way or the other. It is inspiring to see the commitment and hard work put in by authors from all areas of work.

Publications serve as an integral platform to empower issues/stories and to help those voices proliferate or even help inflict conversations around them. And ultimately, I want to support the ferry that enables all of us to better understand the world through diverse perspectives.

Favorite UW Press book: I am looking forward to reading The Tibetan Nun Mingyur Peldrön: A Woman of Power and Privilege.

Business

Cam Che, Junior in Finance, Information Systems, and Accounting for Business Professionals

Publishing interests me because it provides access to and connects information and ideas with people worldwide. Information is powerful, and publishing is one of the tools to empower, share, and link people together. Publishing, to me, means fueling people with knowledge and education.

Some of my responsibilities include working with administrative records, expenses, revenues, and royalties and providing support to the Business Manager and the department as a whole. Other duties include accounting and data entry, data management, managing digital and physical files, and assisting with ongoing projects in the business area. My experience at the press has improved the transferable skill set that will help me easily transition into my future career plan.

Favorite UW Press book: Great question! I cannot choose between The $16 Taco by Pascale Joassart-Marcelli and Contemporary Asian American Activism edited by Diane C. Fujino and Robyn Magalit Rodriguez.

Marketing

Zoe Kackman, Sophomore in Art

I was interested to learn about what goes on behind the scenes of publishing, specifically the marketing aspects. I am still fairly new to the press, but I am already learning a lot about organization and collaborative work. I’m very interested in social media and the publicity side of publishing, so I think my experience in this role will be a good baseline for my future career.

Favorite UW Press book: I’m really interested in Settler Cannabis [forthcoming in May]! I feel like it will be a new perspective of Indigenous history that I’ve never heard before.

Civil Rights under the Northern Lights: Excerpt from Black Lives in Alaska

Black Lives in Alaska: A History of African Americans in the Far Northwest maps the trials and challenges African Americans have encountered in the forty-ninth state. The earliest arrivals, many of whom worked as whalers, prospectors, and service members, did not always stay long. Others put down roots and lived full lives in Alaska. These Black individuals fought for greater inclusion and helped establish Alaska’s modern civic institutions, contributing to the political and social life of the state even as they endured racism and fought injustice.

The excerpt below touches on Alaska’s history of race relations and civil rights. This history reminds the reader that the currents of discrimination and its responses—self-activity, activism, and perseverance—are American stories that might be explored in the unlikeliest of places. Even as it reveals the specific context of the state’s complex history, Alaska’s Black history encompasses the themes of the larger nationwide freedom struggle and enriches the history of people of African descent in North America. —Ian C. Hartman

Black Lives in Alaska: A History of African Americans in the Far Northwest by Ian C. Hartman and David Reamer

In the summer of 1962, African Americans and other area activists joined together to picket Carrs, Alaska’s largest grocery store chain. Clarence Coleman, branch president of the Anchorage NAACP, wrote to Roy Wilkins at the national office in New York City: “The first picket line in the history of the Anchorage NAACP began its task of protesting the hiring policies of Carrs Food Center here in Anchorage today 31 July 10 am Alaska Standard Time.”1 Coleman’s statement was not quite true. Five years earlier, Joseph M. Jackson and James E. Owens organized area workers and set up a picket outside of the Local 341 Laborers and Hod Carrier Union Hall. They and others sought an inclusive union for African American and Alaska Native workers and called for greater transparency in promotion guidelines. Owens stated that direct action “was the only way we’re going to get equality.”2

The picket of Carrs in Anchorage’s Fairview neighborhood was a watershed moment in the history of civil rights in Alaska. Many in the Black community took issue with the grocery store’s apparent refusal to hire African Americans to work in any capacity beyond sanitation and other so-called menial, low-level jobs. In one correspondence Bernard J. Carr Sr., an owner of the grocery store chain, conceded he had “two Negro employees,” a garbage collector and a janitor. But he continued, “The time is not right to hire a Negro checker.” Activist Pat Berkley recollected, “They [Carrs] didn’t want to hire any Blacks. And of course, Pop Carr…wasn’t to hire any Blacks because he had hired one [who] became very friendly with a white girl that worked there, so that was the end of that.”3 Still, the NAACP suggested the grocer benefited from a base of African American patrons and, as such, should hire and promote a few as employees. At its Fairview store, over 30 percent of the clientele was Black, yet not a single African American worked in management or any position that interfaced with the public.4

In response, men and women took to the picket line outside of Carrs to raise awareness. Though she was seven months pregnant, Anchorage resident and activist Pat Berkley helped organize the picket and led the women to march on the line during the day; the men walked in the evening. Cars and pedestrians “booed and laughed at [us],” Berkley remembered.5 Despite some negative reaction, the picket seemingly worked; owners agreed to hire a more diverse workforce. Organizer Joseph Kline summarized the terms of the agreement: Carrs grocery would “hire one person immediately. The second within thirty days and the third sixty days after the first.” These positions were supposed to include a clerk, cashier, or grocery checkers, all of which afforded a greater possibility for advancement than the menial positions that the picketers accused Carrs of reserving for Black workers.6

Unfortunately, Carrs failed to hire three African Americans within the agreed-upon sixty days, but the NAACP kept up its pressure, and the grocery store eventually complied. Richard Watts was the first man Carrs hired as a result of the picket. He became the first African American bagger at the store and stayed with the grocer for over forty-five years. In accordance with what the activists envisioned, Watts did not remain a bagger for long. He ascended the chain of management; by the end of a long and distinguished career, Watts had become a district manager and participated in the local business community as a member of the board of directors for the Anchorage Chamber of Commerce.7

The picket of Carrs in Anchorage’s Fairview neighborhood was a watershed moment in the history of civil rights in Alaska.

The Carrs boycott anticipated more extensive changes in Fairview that had come about by the middle of the 1960s. During this decade the neighborhood emerged as a center of activism and civic engagement in Anchorage. Its reputation as one of Anchorage’s most diverse communities only grew, as did the fear that city leadership might continue to neglect the needs of its residents. After the redevelopment and so-called urban renewal of Eastchester Flats, roughly the southern tier of Fairview, men and women on the community council grew more determined to ensure the existing neighborhood would not be left out as Anchorage leadership plotted new recreational outlets for residents. Olivia Holland, Ben Humphries, and John Parks, all active on the neighborhood council, led an effort to set aside land for a park and later spearheaded an effort to deliver public transportation throughout Anchorage. These efforts took considerable effort but would yield tangible results for the residents of Fairview in the decades to follow.8

Beyond the Carrs boycott in Fairview, activists protested and organized against mistreatment and discrimination elsewhere during the early and mid-1960s. In Anchorage and Fairbanks, residents established employment workshops to organize letter writing campaigns and rallies and to reach out to area businesses to connect minority job candidates with desirable employment. The workshops in Anchorage organized pickets at Caribou-Wards and Woolworths; one woman in Anchorage, Lillian Morris, took a lead role in the Woolworths pickets and led the area employment workshop. Fairbanks activists also organized a picket of Woolworths in their hometown. The efforts paid off, at least to some extent. Sears, Roebuck and Company agreed to interview and hire qualified African American, Native, Filipinx, and Mexican applicants. The Spenard Caribou-Wards hired two Black salesclerks and agreed to file and retain applications for a longer period, a concession to the employment workshop. The Anchorage Woolworths hired a Black employee for the first time. These efforts did not approach the level of equity that the Employment Workshop ultimately desired, but they represented a small measure of progress.9


Ian C. Hartman is associate professor of history at the University of Alaska Anchorage.

David Reamer is a public historian and journalist who writes for the Anchorage Daily News.


Notes

1 Clarence V. Coleman to Roy Wilkins via Western Union Telegram, August 1, 1962, Papers of the NAACP, Part 27: Selected Branch Files, 1956–1965, Series D: The West, ed. John H. Bracey Jr., Sharon Harley, and August Meier. Available on microfilm at the Consortium Library, University of Alaska Anchorage.

2 For reference to the picket on the Local 341 Laborers and Hod Carrier Union, see Papers of the NAACP, Supplement to Part 13, the NAACP and Labor, 1956–1965, edited by John H. Bracey Jr. and August Meier (folder 14), available on microfilm at the University of Alaska Anchorage. For additional reference, see Meier Randall Keenan, Walking on Water: Black American Lives at the Turn of the Twenty-First Century (New York: Vintage, 2000), 284.

3 Charlie Mae “Pat” Berkley, interview by Bruce Melzer, c. 1982–1983, Bruce Melzer oral history interviews, Archives and Special Collections, Consortium Library, University of Alaska Anchorage.

4 NAACP News Letter, Papers of the NAACP, Part 27: Selected Branch Files, 1956–1965, Series D: The West, Consortium Library, University of Alaska Anchorage.

5 Charlie Mae “Pat” Berkley, interview by Bruce Melzer, c. 1982–1983.

6 Joseph H. Kline Jr. to Roy Wilkins, March 3, 1963. Papers of the NAACP, Part 27: Selected Branch Files, available on microfilm at the Consortium Library, University of Alaska Anchorage.

7 For a brief report on Richard Watts’s career at Carrs, see Christine Kim, “Carrs’ First Black Worker Recalls His Rise through the Ranks,” February 19, 2010 on KTUU. For the announcement of Watts on the board of directors for the Anchorage Chamber of Commerce, see “Anchorage Chamber’s 2013–14 Board of Directors Announced,” Alaska Dispatch News, September 12, 2013.

8 “City officials tour Fairview neighborhood park,” Anchorage Times, August 2, 1967, 1.

9 Dianne Anderson, “Protest Group Gets Results, With and Without Picketing,” Anchorage Daily Times, August 13, 1968, 3.

Attending CAA? Save 30% on UW Press Books

We look forward to connecting with everyone at the 2023 College Art Association annual meeting, taking place in New York City on February 15-18.

Be sure to visit UW Press in the Book and Trade Fair at booth 221 for a 30% discount on new and notable titles. We have a rich and varied catalog in Asian art, Native American and Indigenous art, visual culture, and more. Our virtual exhibit is now open, and you can take early advantage of the conference discount with code WCAA23 at checkout. The code will be valid for CAA members through March 15, 2023.


Discover New and Notable Books


Learn About Our Art and Visual Culture Series

Native Art of the Pacific Northwest: A Bill Holm Center Series

Publishing important new research on the Native art and culture of the greater Pacific Northwest, this series aims to foster appreciation of the dynamic cultural and artistic expressions of the Indigenous peoples of the region. Grounded in art history, the series encompasses investigations of historical productions and contemporary manifestations of cultural expression as well as the important intersections between time, place, technique, and viewpoint.

Critical Ethnic Studies and Visual Culture

This new book series engages insights from critical ethnic studies and visual culture, and encourages innovative interdisciplinary antiracist work that challenges and transforms our understanding of race, ethnicity, and the visual. Focusing on art, new media, art history, visual anthropology, visual culture, craft, fashion, and other forms of cultural expression, the series brings together works that engage decolonization and social justice with an intersectional emphasis on race, ethnicity, class, sexuality, disability, and gender.


See What’s New and Forthcoming from Our Publishing Partners

Black History Month Book List

In celebration of Black History Month, we invite you to check out recent books as well as select titles from our backlist in Pacific Northwest, African American, and Black Diaspora historical studies that speak to the profound legacy of Black Americans and this year’s theme of Black resistance.

Black Lives in Alaska: A History of African Americans in the Far Northwest

Centering the agency and diversity of Black Alaskans, this book chronicles how Alaska’s Black population, though small, has had an outsized impact on the culture and civic life of the region. Alaska’s history of race relations and civil rights reminds the reader that the currents of discrimination and its responses—determination, activism, and perseverance—are American stories that might be explored in the unlikeliest of places.

The Forging of a Black Community: Seattle’s Central District from 1870 through the Civil Rights Era

University of Washington Emeritus Professor of American History Quintard Taylor’s meticulously researched account is essential to understanding the history and present of the largest black community in the Pacific Northwest. The second edition features a new foreword and afterword.

Revolution to Evolution: The Story of the Office of Minority Affairs & Diversity at the University of Washington

Born from a national movement in the late 1960s seeking to address structural and cultural racism, the Office of Minority Affairs & Diversity (OMA&D) started as a core group of Black Student Union leaders at the UW who demanded changes in how the school served students of color. In a new book releasing February 21, legendary founding member Emile Pitre shares deep insight into the making of the institution through candid interviews, letters, and reflections of those who participated across decades.

Emerald Street: A History of Hip Hop in Seattle

In this rich narrative, Daudi Abe draws on interviews with artists and journalists to trace how hip hop flourished in the Seattle scene. He shows how Seattle hip-hop culture goes beyond art and music, influencing politics, the relationships between communities of color and law enforcement, the changing media scene, and youth outreach and educational programs.

The Portland Black Panthers: Empowering Albina and Remaking a City

Combining histories of the city and its African American community with interviews with former Portland Panthers and other key players, this long-overdue account adds complexity to our understanding of the protracted civil rights movement throughout the Pacific Northwest.

Black Women in Sequence: Re-Inking Comics, Graphic Novels, and Anime

Beginning with the 1971 appearance of the first Black female superheroine in a comic book—the Skywald Publications character “the Butterfly”—artist, curator, and writer Deborah Elizabeth Waley examines the representation, production, and transnational circulation of women of African descent in the sequential art world.

Migrating the Black Body: The African Diaspora and Visual Culture

How is the travel of black bodies reflected in reciprocal black images? How is blackness forged and remade through diasporic visual encounters and reimagined through revisitations with the past? This volume brings together an international group of scholars and artists who explore these questions in visual culture for the historical and contemporary African diaspora.

Love for Liberation: African Independence, Black Power, and a Diaspora Underground

Through interviews with activists, extensive archival research, and media analysis, Robin Hayes reveals how Black Power and African independence activists created a diaspora underground, characterized by collaboration and reciprocal empowerment. Together, they redefined racial discrimination as an international human rights issue and laid the groundwork for future transnational racial justice movements, such as Black Lives Matter.

Louisiana Creole Peoplehood: Afro-Indigeneity and Community

Over the course of more than three centuries, the diverse communities of Louisiana have engaged in creative living practices to forge a vibrant, multifaceted, and fully developed Creole culture. Engaging themes as varied as foodways, queer identity, health, historical trauma, language revitalization, and diaspora, this volume explores vital ways a specific Afro-Indigenous community asserts agency while promoting cultural sustainability, communal dialogue, and community reciprocity against the backdrop of ongoing anti-Blackness and Indigenous erasure.

Barbara Earl Thomas: The Geography of Innocence

Artist Barbara Earl Thomas’s body of work collected here offers a reexamination of Black portraiture and the preconceived dichotomies of innocence and guilt and sin and redemption, and the ways in which these notions are assigned and distorted along cultural and racial lines.

New and Forthcoming Books

From the frontier of health and homelessness in Seattle to nineteenth-century maritime Southeast Asia, our new and upcoming books span the globe to illuminate histories and provide new studies and perspectives on pressing issues. Learn more about these recently released and forthcoming books below.

Don’t forget that our Holiday Sale is ongoing through January 31. Get 40% off all books and free domestic shipping when you order through our website with code WINTER22 at checkout.

Wide-Open Desert: A Queer History of New Mexico

In the first comprehensive study of queer lives in twentieth-century New Mexico, Jordan Biro Walters explores how land communes, art circles, and university classrooms helped create communities that supported queer cultural expression and launched gay civil rights activism in the American Southwest. Wide-Open Desert also frames the significance of and relationship between queer mobility and queer creative production as paths to political, cultural, and sexual freedom for LGBTQ+ people across the nation. In doing so, the book reassesses the power of urbanism on the social construction of contemporary notions of queer identities and politics.


Skid Road: On the Frontier of Health and Homelessness in Seattle

Newly released in paperback, this Washington State Book Award Finalist explores the tensions between caregiving and oppression, as well as charity and solidarity, that polarize perspectives on homelessness throughout the country. Author and University of Washington professor of nursing Josephine Ensign uses extensive historical research to piece together the lives and deaths of those not included in official histories of Seattle, a city with one of the highest numbers of unhoused people in the United States. Drawing on interviews, she also shares a diversity of voices within contemporary health and social care and public policy debates.


The Camphor Tree and the Elephant: Religion and Ecological Change in Maritime Southeast Asia

What is the role of religion in shaping interactions and relations between the human and nonhuman in nature? Why are Muslim and Christian organizations generally not a potent force in Southeast Asian environmental movements? Historian Faizah Zakaria explores these questions and the history of ecological change in the region by centering the roles of religion and colonialism in shaping the Anthropocene. Using a wide array of sources such as family histories, prayer manuscripts, and folktales in tandem with colonial and ethnographic archives, Zakaria brings everyday religion and its far-flung implications into our understanding of the environmental history of the modern world.


Material Contradictions in Mao’s China

This first volume devoted to the material history of the Mao period explores the paradox of material culture under Chinese Communist Party rule and illustrates how central materiality was to individual and collective desire, social and economic construction of the country, and projections of an imminent socialist utopia within reach of every man and woman, if only they worked hard enough. Editors Jennifer Altehenger and Denise Y. Ho bring together scholars of Chinese art, cinema, culture, performance, and more to share groundbreaking research on the objects and practices of everyday life in Mao’s China, from bamboo and bricks to dance and film.


Chinese Autobiographical Writing: An Anthology of Personal Accounts

Personal accounts help us understand notions of self, interpersonal relations, and historical events. Chinese Autobiographical Writing contains full translations of works by fifty individuals that illuminate the history and conventions of writing about oneself in the Chinese tradition. Edited by Patricia Buckley Ebrey, Cong Ellen Zhang, and Ping Yao, the volume includes an array of engaging and readable works that draw us into the past and provide vivid details of life as it was lived from the pre-imperial period to the nineteenth century.

An open access publication of this book was made possible by a grant from the James P. Geiss and Margaret Y. Hsu Foundation.

A Year of Award-Winning Publishing

For the University of Washington Press, one measure of the impact of our work is the remarkable number of award-winning books we’ve published, recognized by professional associations and organizations for their dynamic, engaged, and pathbreaking scholarship. As 2022 comes to a close, we would like to take this opportunity to congratulate all of the UW Press authors whose work has been recognized this year.

Please join us in celebrating the following award winners, honorable mentions, and finalists!

Get 40% off and free domestic shipping on these award-winning books during our Holiday Sale. Use code WINTER22 at checkout now through January 6 when purchasing through our website.

Winners

Carving Status at Kŭmgangsan: Elite Graffiti in Premodern Korea by Maya K.H. Stiller, Winner of the Patricia Buckley Ebrey Prize for a distinguished book on East Asian history prior to 1800, sponsored by the American Historical Association

Garden of Eloquence / Shuoyuan 說 苑 by Liu Xiang; translated by Eric Henry, Winner of the Modern Language Association’s Aldo and Jeanne Scaglione Prize for a Translation of a Literary Work

“In this translation with facing Chinese text, Eric Henry has succeeded in bringing across not only a single text but also a genre and the feeling of a period. Readers of English can now imagine themselves in the position of a Chinese scholar of long ago with an extraordinarily well-stocked mind, interrogating history for its lessons.”

—Modern Language Association awards committee

The Borders of AIDS: Race, Quarantine, and Resistance by Karma R. Chávez, Winner of the Book of the Year Award from the Latina & Latino Communication Studies Division and the Diamond Anniversary Book Award sponsored by the National Communication Association

[The Borders of AIDS] is a carefully threaded study that is intersectional in its examination of race, nationality, citizenship, and AIDS through the lens of quarantine. Chávez’s work builds on and extends existing scholarship related to sovereignty, citizenship, and rhetorical racialization…The book advances the concept of ‘alienizing logic’ as a way to think about the intersectional impact of AIDS on queer, migrant populations of color, but also as a logic that is fundamental to the DNA of the United States.”

—National Communication Association Diamond Anniversary Book Award committee

Mumbai Taximen: Autobiographies and Automobilities in India by Tarini Bedi, Second Prize Winner of the Victor Turner Prize in Ethnographic Writing from the Society for Humanistic Anthropology

Where Dragon Veins Meet: The Kangxi Emperor and His Estate at Rehe by Stephen H. Whiteman, Winner of the John Brinckerhoff Jackson Book Prize, sponsored by the Center for Cultural Landscapes, UVA

This book…fills a monumental gap in the art, architectural, and landscape histories of the early modern world, providing a long-overdue interdisciplinary discussion of the Qing emperor whose reign and works overlapped with those of better-studied contemporaries.

—Journal of the Society of Architectural Historians

Making Livable Worlds: Afro-Puerto Rican Women Building Environmental Justice by Hilda Lloréns, Winner of the Frank Bonilla Book Award from the Puerto Rican Studies Association and Winner of the Gregory Bateson Book Prize, sponsored by the Society for Cultural Anthropology

“Making Livable Worlds is the kind of dynamic, engaged, intersectional ethnographic writing we so desperately need.”

—Society for Cultural Anthropology Gregory Bateson Book Prize committee

Timber and Forestry in Qing China: Sustaining the Market by Meng Zhang, Winner of the Charles A. Weyerhaeuser Book Award from the Forest History Society

Bad Dog: Pit Bull Politics and Multispecies Justice by Harlan Weaver, Ordering the Myriad Things: From Traditional Knowledge to Scientific Botany in China by Nicholas K. Menzies, Outcaste Bombay: City Making and the Politics of the Poor by Juned Shaikh, and The $16 Taco: Contested Geographies of Food, Ethnicity, and Gentrification by Pascale Joassart-Marcelli were named a Choice Outstanding Academic Title of 2022

Honorable Mentions, Longlisted Books, and Finalists

Shifting Livelihoods: Gold Mining and Subsistence in the Chocó, Columbia by Daniel Tubb and Roses from Kenya: Labor, Environment, and the Global Trade in Cut Flowers by Megan A. Styles received an Honorable Mention for the Society for the Anthropology of Work (SAW) Book Prize

Ordering the Myriad Things: From Traditional Knowledge to Scientific Botany in China by Nicholas K. Menzies was longlisted for the SHNH Natural History Book Prize from the Society for the History of Natural History

Fear No Man: Don James, the ’91 Huskies, and the Seven-Year Quest for a National Football Championship by Mike Gastineau was named a Washington State Book Award Finalist in the General Nonfiction category by the Washington Center for the Book and Seattle Public Library

Slavery and the Post-Black Imagination edited by Bertram D. Ashe and Ilka Saal received an Honorable Mention for the Modern Language Association Prize for an Edited Collection

“Slavery and the Post-Black Imagination is a timely, inventive, and pathbreaking collection. Bertram D. Ashe and Ilka Saal’s collection has been edited to show both range and depth, offering fresh insights and theoretically informed ways of understanding a new body of Black cultural production and situating that body with dexterity and impressive scholarly expertise in fraught questions of the moment.”

—Modern Language Association awards committee

Latinx Photography in the United States by Elizabeth Ferrer was shortlisted for the ASAP Book Prize, sponsored by the Association for the Study of Arts of the Present

Timber and Forestry in Qing China: Sustaining the Market by Meng Zhang received an Honorable Mention for the ISCLH First Biennial Book Prize from the International Society for Chinese Law and History

Where Dragon Veins Meet: The Kangxi Emperor and His Estate at Rehe by Stephen H. Whiteman, Honorable Mention for the Elisabeth Blair MacDougall Book Award from the Society of Architectural Historians

What the Emperor Built: Architecture and Empire in the Early Ming by Aurelia Campbell, Honorable Mention for the Alice Davis Hitchcock Book Award from the Society of Architectural Historians

Winning Distributed Books

Textiles in Burman Culture by Sylvia Fraser-Lu, published by Silkworm Books, was named the Winner of the R.L. Shep Ethnic Textiles Book Award, sponsored by the Textile Society of America