The Tao of Raven: An Alaska Native Memoir

In The Tao of Raven: An Alaska Native Memoir (published Fall 2016), Tlingit elder Ernestine Hayes explores the challenges facing Alaska Natives in their own land and recounts her own story of becoming a professor and a writer. This powerful follow-up to her previous memoir Blonde Indian asks: what happens once the exile returns home? The 2016-2018 Alaska State Writer Laureate will soon visit Washington State for a series of book events.

The following excerpt from the book’s prologue tells the story of Raven and the Box of Daylight:

At a time so long ago it can be measured neither by following the moon’s slow dance nor by tracing the sun’s brightened path, had moon and sun then been part of life, darkness was upon the face of the world. This circumstance made it difficult for human beings to conduct their ordinary lives. For example, how much more difficult to impress one another when decisions are made in the dark. How much more difficult to recognize an ally, how much more difficult to praise another’s significance, thereby increasing one’s own importance. How much more difficult to confront a shadow, to challenge the gloom. In an unbrightened world, light does not reveal itself. It must be stolen.

Please join us for these events:

Saturday, February 25, 5 – 7 p.m. // Department of American Indian Studies at the University of Washington, wǝɫǝbʔaltxʷ – Intellectual House, “Sacred Breath: Writing & Storytelling” featuring Ernestine Hayes, Raven Heavy Runner, and Elissa Washuta, Seattle, WA, RSVP required

Sunday, February 26 at 4 p.m. // Village Books, Bellingham, WA

Monday, February 27 at 7:30 p.m. // Third Place Books, Seward Park, Seattle, WA

Liberated. Reclaimed, some might say.

Raven has always and not always been around to be amused at the pitiful antics of self-important human beings, and no doubt he found amusement in the ill-composed conditions of a darkened world. But, although he may have discerned intrigue and opportunity, although he may have sensed illicit adventure, although he could well have been distracted by wonders that he alone could see, nevertheless Raven decided to do something about the darkness.

Raven knew about an old man who lived with his daughter in a well-fortified house in an isolated place at the top of a river far away. This old man, it was said, kept in his house precious bentwood boxes in which could be found answers to the darkness. It was said that this old man guarded these boxes even more carefully than he guarded his daughter. He allowed his daughter to venture outside the house for such purposes as gathering roots and collecting water, but never did he allow his precious boxes to be removed from his house or even to be opened, or even to be looked upon, or even to be named.

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Day of Remembrance 75th Anniversary Events: #NeverAgainIsNow

The annual Day of Remembrance commemorates the day in 1942 when President Franklin D. Roosevelt signed Executive Order 9066, the authorization leading to the mass incarceration of around 120,000 Japanese American citizens in concentration camps during World War II, without due process of law. For this 75th anniversary year, our authors, publishing partners, and our campus, regional, and national communities are remembering and teaching about this important history and discussing the connections between Japanese American incarceration, the Holocaust, and civil rights and racism today.

The Day of Remembrance 75th Anniversary event tomorrow presented by the Nisei Veterans Committee, the Holocaust Center for Humanity, the UW Department of American Ethnic Studies, and the Consulate-General of Japan in Seattle features Lorraine K. Bannai (author of Enduring Conviction: Fred Korematsu and His Quest for Justice), Tetsuden Kashima (author of Judgment without Trial: Japanese American Imprisonment During World War II), and Dee Simon, Baral Family Executive Director of the Holocaust Center for Humanity. It is the first of three planned events in a Holocaust and Japanese American Connections series. For Sunday’s Day of Remembrance event, Never Again, Densho, CAIR-WA, and ACLU of Washington examine how this vital history relates to the struggle for civil rights today and explores how to prevent harassment and discrimination of American Muslims.

We hope you will join for these and other important events and discussions around the 75th anniversary of Executive Order 9066 and the Day of Remembrance. Remembering is resistance!

Events

FEBRUARY

February 18 at 1 p.m., Day of Remembrance 75th Anniversary, “How Could Concentration Camps Happen?” with Lorraine K. Bannai, Enduring Conviction, Tetsuden Kashima, Judgment without Trial, and Dee Simon, University of Washington, Kane Hall 120, Seattle, WA (Reception follows at 3:30 p.m. in the Walker-Ames Room of Kane Hall)

February 19 at 2 p.m., Never Again: 75th Anniversary of EO 9066, Presented by Densho in partnership with CAIR-Washington State and ACLU of Washington, hosted by The Seattle Public Library at Fisher Pavilion at Seattle Center with Elliott Bay Book Company, Seattle, WA (Livestream available; #NeverAgainIsNow)

February 27 at 6 p.m., Linda Tamura, Nisei Soldiers Break Their Silence, High Desert Museum, Bend, OR

MARCH

March 3 at 5 p.m., Lorraine K. Bannai, Enduring Conviction, Words, Writers, and West Seattle, Westwood Village Barnes & Noble, Seattle, WA

March 7 at 6 p.m., Noriko Kawamura, Emperor Hirohito and the Pacific War, Pritzker Military Museum & Library lecture and livestream (Turbulence in the Pacific: Japanese-U.S. Relations During World War I), Chicago, IL ($10; Free for members)

March 15 at 7 p.m., Linda Tamura, Nisei Soldiers Break Their Silence, with Sydney Blaine, Jack Sheppard, Joan & Dorothy Laurance, Sense of Place lecture series, Columbia Center for the Arts, Hood River, OR

March 27 at 7 p.m., Linda Tamura, Nisei Soldiers Break Their Silence, McMenamins History, Oregon Historical Society, and Holy Names Heritage Center, History Pub, Kennedy School, Portland, OR

New in Art History and Visual Culture for CAA 2017

From February 15-18, we are excited to attend the annual conference of the College Art Association in New York, NY. Editor in chief Larin McLaughlin and advancement and grants manager Beth Fuget will be representing the Press, debuting several new books, and meeting with authors, publishing partners, and other professionals in the arts.

We are thrilled to introduce our recent and forthcoming titles in art history and visual culture at the meeting. Please stop by our booth (#206) to get a first look at our new offerings, and join the discussion on social media with #caa2017.

New and Recent Books

Migrating the Black Body: The African Diaspora and Visual Culture
Edited by Leigh Raiford and Heike Raphael-Hernandez

Migrating the Black Body explores how visual media—from painting to photography, from global independent cinema to Hollywood movies, from posters and broadsides to digital media, from public art to graphic novels—has shaped diasporic imaginings of the individual and collective self.

Forthcoming Books

The Hope of Another Spring: Takuichi Fujii, Artist and Wartime Witness
By Barbara Johns
Foreword by Roger Daniels
Introduction to the diary by Sandy Kita
Scott and Laurie Oki Series in Asian American Studies
Forthcoming May 2017

The Hope of Another Spring reveals the rare find of a heretofore unknown collection of art produced during World War II. The centerpiece of the collection is Fujii’s illustrated diary that historian Roger Daniels has called “the most remarkable document created by a Japanese American prisoner during the wartime incarceration.”

Sonny Assu: A Selective History
By Sonny Assu
With Candice Hopkins, Marianne Nicholson, Richard Van Camp, and Ellyn Walker
Forthcoming June 2017

Through large-scale installation, sculpture, photography,
printmaking, and painting, Sonny Assu
merges the aesthetics of Indigenous iconography
with a pop-art sensibility. This stunning retrospective
spans over a decade of Assu’s career, highlighting
more than 120 full-color works, including several
never-before-exhibited pieces.

Queering Contemporary Asian American Art
Edited by Laura Kina and Jan Christian Bernabe
Foreword by Susette Min
Afterword by Kyoo Lee
Jacob Lawrence Series on American Artists
Forthcoming May 2017

These artist interviews, cutting-edge visual artworks, and critical essays explore contemporary currents and experiences within Asian American art, including the multiple axes of race and identity; queer bodies and forms; kinship and affect; and digital identities and performances. Continue reading

February 2017 News, Reviews, and Events

News

We are pleased to announce that Catherine Cocks is joining our acquisitions team as Senior Acquisition Editor, starting February 15. She started her career in academic publishing at SAR Press, the publishing arm of the School for Advanced Research, where she established the cutting-edge series in Global Indigenous Politics, among other accomplishments. She worked most recently at the University of Iowa Press, where she is currently Editorial Director. Please join us in welcoming Catherine to the press!

The University of Washington Press has five selected entries in the Association of American University Presses (AAUP) 2017 Book, Jacket, and Journal Show. Congratulations to the designers, our Editorial, Design, and Production department, and all involved!

Nine University of Washington Press authors will be participating in the 12th Annual Literary Voices event on May 3, 2017. Annie Proulx is this year’s keynote speaker.

Reviews and Interviews

The Times Literary Supplement reviews Ice Bear by Michael Engelhard: “Engelhard has an apt and unusual background for a book such as this. . . . Among the strengths of Ice Bear is its grasp of the rituals by which humans have always aspired to draw the strength of the polar bear into themselves.”—Mark Abley

The Spectator also reviews the book: “[A] beautifully illustrated, hugely engaging book. . . . For all its nightmare-haunting power, however, the aspect of the polar bear that really makes it an icon of the age is its vulnerability . . . . Another merit of the book is the author’s willingness to track these themes to their origins.”—Mark Cocker

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2017 International Holocaust Remembrance Day

In November 2005 the United Nations General Assembly officially designated January 27 as International Holocaust Remembrance Day to honor the victims of the Holocaust and learn from the past in order to prevent future acts of genocide.

We remember the millions of Jews and countless other minorities that were killed during the Holocaust under the Nazi regime—and recognize that genocide and crimes against humanity start with words. There has never been a more important time to remember what happens if we stay silent in the face of hate speech and propaganda.

Below we feature a few of our most recent titles in Holocaust studies:

Losing Trust in the World: Holocaust Scholars Confront Torture
Edited by Leonard Grob and John K. Roth

The contributors to this volume use their expertise in Holocaust studies to reflect on ethical, religious, and legal aspects of torture then and now. Their inquiry grapples with the euphemistic language often used to disguise torture and with the question of whether torture ever constitutes a “necessary evil.” Differences of opinion reverberate, raising deeper questions: Can trust be restored? What steps can we as individuals and as a society take to move closer to a world in which torture is unthinkable?

Facing Death: Confronting Mortality in the Holocaust and Ourselves
Edited by Sarah K. Pinnock

What do we learn about death from the Holocaust and how does it impact our responses to mortality today?This volume brings together the work of eleven Holocaust and genocide scholars who address these difficult questions, convinced of the urgency of further reflection on the Holocaust as the last survivors pass away.

 

Also of interest:

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Exhibitions on View: ‘Jacob Lawrence: The Migration Series’

Jacob Lawrence (1917-2000) is widely regarded as one of America’s most important and celebrated artists. Lawrence’s paintings, drawings, and murals depict both critical moments in history and poignant struggles of the black American experience—from the Civil War to the civil rights movement and beyond. Lawrence’s many awards include his 1983 election to the American Academy of Arts and Letters, a National Arts Award in 1992, and his confirmation as Commissioner of the National Council of the Arts in 1978 by the U.S. Senate. Lawrence accepted a tenured position at the University of Washington in 1971, retired as professor emeritus in 1986, and remains one of Seattle’s most beloved artists.

Jacob Lawrence in his Seattle studio, 1984. Photo by Mary Randlett.

Jacob Lawrence in his Seattle studio, 1984. Photo by Mary Randlett.

In celebration of the 100th anniversary of his birth, the Seattle Art Museum will show all sixty panels of the epic series considered his masterwork together on the West Coast for the first time in decades. Jacob Lawrence: The Migration Series is on view from Saturday, January 21 through Sunday, April 23, 2017.

The University of Washington Press is proud to have published many books by and about Lawrence over the years and in conjunction with key exhibitions of his work at museums throughout the country.

Learn more about Jacob Lawrence: The Migration Series at the Seattle Art Museum site, which also provides links to online interactive experiences created by the two museums that jointly own the series:

Additional reading from UW Press by and about Jacob Lawrence:

Aesop’s Fables
Jacob Lawrence

Aesop’s Fables combines 23 timeless morality tales with striking black ink drawings by the revered artist. Published originally in 1970, the book was out of print for two decades. The new edition, completely redesigned and typeset, adds five illustrations Lawrence prepared for the original edition but which were not included in it.

Jacob Lawrence: American Painter
By Ellen Harkins Wheat

This major book is the most comprehensive survey ever made of Lawrence’s work and traces his development as an artist as well as places his work within the tradition of American modernism. The chronological overview of his career is enhanced by over 150 illustrations of his work, 85 in color, and a generous selection of photos that place him in his studio, in the art world at large, and among his friends and colleagues.

Over the Line: The Art and Life of Jacob Lawrence
Edited by Peter T. Nesbett and Michelle DuBois

The first multi-author, in-depth probe of the artist’s entire career: the nature of his work, his education, the critical climate in which he worked, and his use of materials and techniques. It reproduces, in full color, more than 200 works, most of which had not been published in color, or at all, in other books on the artist.

Also available:

Jacob Lawrence: The Complete Prints, 1963-2000
Peter T. Nesbett

This new edition of Jacob Lawrence: Thirty Years of Prints (1963-1993) includes 19 new prints produced by Lawrence since 1993, including 7 from the Toussaint L’Ouverture series. The book includes an essay by Patricial Hills. In his graphic work, Lawrence presents a vision of a common struggle toward unity and equality, a universal struggle seated in the depths of the human consciousness.

17 Essential Titles on the Japanese American Wartime Experience

On this 75th anniversary year of Executive Order 9066, which authorized the forced evacuation and mass incarceration of Japanese American citizens, join us in highlighting vital books by and about what Japanese American families endured during World War II.

Throughout the new administration’s first 100 days and beyond, we celebrate the voices and legacy of the incarcerated and their families and recognize our distinguished authors of books in American studies and history, critical race and ethnic studies, and social justice. The University of Washington Press is proud to have a history of publishing pathbreaking titles about the Asian American experience and the struggle for civil rights and redress. Together, let us remember American history we can’t afford to forget and continue to fight for equity and justice for all.

Scott and Laurie Oki Series in Asian American Studies:

The Hope of Another Spring: Takuichi Fujii, Artist and Wartime Witness
By Barbara Johns
Foreword by Roger Daniels
Introduction to the diary by Sandy Kita
Forthcoming May 2017

Sent to detention camps at Puyallup, Washington, and then Minidoka in Idaho, artist Takuichi Fujii (1891-1964) documented his daily experiences in words and art. This richly illustrated book reveals the rare find of a large and heretofore unknown collection of art produced during World War II. The centerpiece of the collection is Fujii’s illustrated diary that historian Roger Daniels called “the most remarkable document created by a Japanese American prisoner during the wartime incarceration.”

Barbara Johns presents the artist’s life story and his achievements within the social and political context of the time. Sandy Kita, the artist’s grandson, provides translations and an introduction to the diary. The Hope of Another Spring is a significant contribution to Asian American studies, American and regional history, and art history.

enduringconviction-bannaiEnduring Conviction: Fred Korematsu and His Quest for Justice
By Lorraine K. Bannai

Bannai brings an insider’s knowledge to the famous legal case of Fred Korematsu, a man interned by the government under Executive Order 9066, but whose conviction was ultimately overturned by the Supreme Court decades later. Lorraine Bannai served on the legal team that represented Korematsu in reopening his case in the 1980s.

A Principled Stand: The Story of Hirabayashi v. United States
By Gordon K. Hirabayashi
With James A. Hirabayashi and Lane Ryo Hirabayashi

In 1943, University of Washington student Gordon Hirabayashi defied the curfew and mass removal of Japanese Americans on the West Coast, and was subsequently convicted and imprisoned as a result. In A Principled Stand, Gordon’s brother James and nephew Lane have brought together his prison diaries and voluminous wartime correspondence to tell the story of Hirabayashi v. United States, the Supreme Court case that in 1943 upheld and on appeal in 1987 vacated his conviction. For the first time, the events of the case are told in Gordon’s own words. The result is a compelling and intimate story that reveals what motivated him, how he endured, and how his ideals changed and deepened as he fought discrimination and defended his beliefs.

Nisei Soldiers Break Their Silence: Coming Home to Hood River
By Linda Tamura

“An important book about a shameful era in the history of the Columbia gorge. . . . Tamura uses interviews and newly uncovered documents to tell a shocking story.”—Jeff Baker, The Oregonian

This compelling story of courage, community, endurance, and reparation shares the experiences of Japanese Americans (Nisei) from Hood River, Oregon, who served in the U.S. Army during World War II, and faced The soldiers were from Hood River, Oregon, where their families were landowners and fruit growers. Town leaders, including veterans’ groups, attempted to prevent their return after the war and stripped their names from the local war memorial. All of the soldiers were American citizens, but their parents were Japanese immigrants and had been imprisoned in camps as a consequence of Executive Order 9066. The racist homecoming that the Hood River Japanese American soldiers received was decried across the nation.

Watch the book trailer: http://www.youtube.com/watch?v=hHMcFdmixLk

Signs of Home: The Paintings and Wartime Diary of Kamekichi Tokita
By Barbara Johns
Foreword by Stephen H. Sumida

“A fascinating book that accomplishes more than one purpose. The first part is a biography of Tokita . . . the second is Tokita’s diary from 1941-44. . . . Signs of Home includes plenty of examples that prove his status as an important regional artist.”—Jeff Baker, The Oregonian

This beautiful and poignant biography of Issei artist Kamekichi Tokita uses his paintings and wartime diary to vividly illustrate the experiences, uncertainties, joys, and anxieties of Japanese Americans during the World War II internment and the more optimistic times that preceded it.

Classics of Asian American Literature:

Citizen 13660
By Miné Okubo
Introduction by Christine Hong

“This forerunner to the modern graphic memoir is a must read, both for the important—and shameful—period of American history it documents and its poignant beauty.”—The Chicago Tribune

Miné Okubo’s graphic memoir of life in relocation centers in California and Utah illuminates this experience with poignant illustrations and witty, candid text. Now available with a new introduction and in a wide-format artist edition, this graphic novel can reach a new generation of readers and scholars.

Desert Exile: The Uprooting of a Japanese American Family
By Yoshiko Uchida
Introduction by Traise Yamamoto

“A sensitive, readable account that captures with insight and human warmth the feel of what it was like to be sent by one’s own government into exile in the wilderness. It is a work worthy of an unforgettable experience.”—Pacific Citizen

After the attack on Pearl Harbor, everything changed for Yoshiko Uchida. Desert Exile is the autobiographical account of her life before and during World War II. The book does more than relate the day-to-day experience of living in stalls at the Tanforan Racetrack, the assembly center just south of San Francisco, and in the Topaz, Utah, internment camp. It tells the story of the courage and strength displayed by those who were interned.

Nisei Daughter
By Monica Sone
Introduction by Marie Rose Wong

“Sone reminds us that the anti-Japanese sentiment and threat of war [was] looming over them. . . but it doesn’t stop the family members from going forward with their lives—showing the kind of strength we all wish we had.”—Samantha Pak, Northwest Asian Weekly

With charm, humor, and deep understanding, Monica Sone tells what it was like to grow up Japanese American on Seattle’s waterfront in the 1930s and to be subjected to “relocation” during World War II. Her unique and personal account is a true classic of Asian American literature.

No-No Boy
By John Okada
Foreword by Ruth Ozeki
Introduction by Lawson Fusao Inada and Frank Chin

“Asian American readers will appreciate the sensitivity and integrity with which the late John Okada wrote about his own group. He heralded the beginning of an authentic Japanese American literature.”—Gordon Hirabayashi, Pacific Affairs

Originally published in the 1950s, No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life “no-no boys.” Yamada answered “no” twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle. The first edition of No-No Boy since 1979 presents this important work to new generations of readers.

Yokohama, California
By Toshio Mori
Introduction to the 2015 edition by Xiaojing Zhou

“Mori’s superbly structured short stories are . . . tender, evocative episodes of growing up as a Japanese American prior to World War II.”—San Francisco Chronicle

Yokohama, California, originally released in 1949, is the first published collection of short stories by a Japanese American. Set in a fictional community, these linked stories are alive with the people, gossip, humor, and legends of Japanese America in the 1930s and 1940s.

Also of interest:

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