Category Archives: Art and Art History

Q&A with ‘Risky Bodies and Techno-Intimacy’ author Geeta Patel

Risky Bodies & Techno-Intimacy traverses disparate and uncommon routes to explore how people grapple with the radical uncertainties of their lives. In this edgy, evocative journey through myriad interleaved engagements–including the political economies of cinema; the emergent shapes taken by insurance, debt, and mortgages; gender and sexuality; and domesticity and nationalism–author Geeta Patel demonstrates how science and technology ground our everyday intimacies. The result is a deeply poetic and philosophical exploration of the intricacies of techno-intimacy, revealing a complicated and absorbing narrative that challenges assumptions underlying our daily living.

Today we talk to the author about her book, publishing soon in our Feminist Technosciences series. 

What inspired you to get into your field?

Geeta Patel: I don’t have a field in any strict sense, although most of my friends now would think of me as a literary ‘type.’ I, however, don’t think of myself that way. I compose in visual metaphors, and the way I look at things askance, as though they were transparent and opaque at the same time, is as a scientist who loves poetry.

I grew up in a family full of women doctors, which along with the push toward science if you grew up in South Asia and had even a vestige of a brain, meant I ended up being saddled with science, specializing in the sciences from when I was eleven years old. But I loved all the sciences, particularly ‘the natural sciences’ with the kind of curiosity of many eighteenth-century scientists. In that period ‘scientific’ curiosity leaked out into more than what we would now call science. It embraced poetry, literary prose, questions of politics, the ways in which money and goods moved, finance, drawings, maps, and instruments. A sort of porous curiosity, rather than directed curiosity along blinkered pathways. Eighteenth-century journals, as well as the South Asian magazines of my childhood, had tidbits on science, poetry, politics, fiction, oddities from the ambit of the political, and off-kilter instruments of measurement. This is what I grew up reading and it is was as though they all belonged in the same place and together made sense.

So when I think of what my ‘field’ consists of, it lives at the cusp of all these things. Where more than one intellectual formation or terrain fades into each other, informs each other, pushes at each other, and inflects each other. And a field formation gets taken up in such a way that it makes an assumption in another field discomfiting. One such place I approach/broach that in Risky Bodies & Techno-Intimacy is the technology of time.

What would you have been if not an academic?

GP: Probably a health practitioner, a healer.

Why did you want to write this book?

GP: I wanted to sit with, ponder, think about, and ruminate on the places, moments, pauses, and sudden jolts where I stopped thinking. Where my capacity to envision something else failed me, felt as though it had faded from my grasp. Many intellectuals imagine this as the horizon towards which one ambles, gallops, or comes up against in some putative future. When I was writing my previous book on the Urdu poet Miraji, I came to see it as he had, and how the philosopher Ludwig Wittgenstein had, as that which is inside what we think, visualize, do. The bedrock of belief lives where we come to a grinding halt, and we find ourselves in a double bind—facing what we must let go of, but can’t. How could we, following on Michel Foucault and Marcel Mauss, understand these as technologies that make us who we are, which are the armature of our very ordinary, everyday habits?

I also wanted to mess with what had come to be conventional ways of bringing intellectual fields together. I wanted to make that broaching or bridging awkward—and this is what I practice in Risky Bodies & Techno-Intimacy. What would chemistry do to transgender possibilities in South Asia? What would it mean to transmute the aesthetics of linear time to lay out the gatherings that took on the resistance to a film on sexuality? How would the historical congruencies between these events and the fights over insurance in the Indian parliament give us insights? Allow us to delve into the modes through which financing loss became the conduit to grapple with the political desires that undergird nationalism? In the process how would science emerge in writing about events that might, in some simple way, not be said to be scientific (in the ways we now see science)?

Who do you see as the audience for this book?

GP: Everyone, feminists, science studies aficionados, cultural studies scholars, media studies scholars, finance practitioners, political theorists, literary theorists. In India I have found the audience to include artists, film-makers, fiction writers, poets, and non-academics.

What is your next project?

GP: I have many ongoing projects. One is a book on Ismat Chughtai, in particular on two of her short stories. That book interrogates the lineages of historical realism in South Asia. It brings quantum and relativity as conduits through which I can grapple with the desires that readers ferry along with them as they read fiction and mine it for information. One is a book on 1950s and ‘60s billboards in Mumbai, and I look at what they reveal about advertising, fiscal fantasies, national sentiment, and nationalist aesthetics in post-colonial states. Another is about the long history of pensions and insurance in South Asia. One of the first of its chapters rethinks the eighteenth-century history of capitalism through colonial pensions.


Geeta Patel is associate professor of both Middle Eastern and South Asian languages and cultures and of women, gender, and sexuality at the University of Virginia. She is author of Lyrical Movements, Historical Hauntings: Gender, Colonialism, and Desire in Miraji’s Urdu Poetry.

August 2017 News, Reviews, and Events

News

UW Press publishes two (out of three) titles on the shortlist for the European Association for Southeast Asian Studies (EuroSEAS) Social Science Book Prize 2017 (Humanizing the Sacred by Azza Basarudin and Forests Are Gold by Pamela D. McElwee). Winners will be announced at the organization’s annual meeting in England from August 16-18, 2017. Congratulations to and fingers crossed for the finalists, editors, and all involved!

Monthly Giveaways

Reviews and Interviews

The Seattle Times features Waterway by David B. Williams, Jennifer Ott, and staff of HistoryLink (dist. for HistoryLink) and mentions Native Seattle by Coll Thrush in an article about the 100th anniversary celebrations for the Locks on July 4. The Wedgewood in Seattle History blog also features Waterway.


The Pittsburgh Post-Gazette features an op-ed by Bike Battles author James Longhurst.


The Fairbanks Daily News-Miner reviews The Tao of Raven by Ernestine Hayes: “Artistic and honest and moving in a way few memoirs ever dare to match. . . . A seminal work in the making, and one that all Alaskans should make a point not to miss.”—Addley Fannin


General Aviation News reviews The Propeller under the Bed by Eileen A. Bjorkman: “Any aviation enthusiast will appreciate all 200 pages of this work, but those of us who find our fathers and mothers staring up at a cloudless sky when the sound of a propeller breaks the silence will recognize both its timeless appeal and historic significance.”—Mark Jones Jr.


The Seattle Times features The Hope of Another Spring by Barbara Johns in the Lit Life column: “A powerful new book. . . . The book is a beautiful display of Fujii’s work, and it’s proof of the power of art and artists to witness events many would rather leave in the dark.”—Mary Ann Gwinn

8Asians also reviews: “The gem of the book is the reproduction of Fujii’s diary. . . . The Hope of Another Spring offers an Issei artist’s perspective to our understanding of Japanese American’s wartime incarceration, while also bringing a valuable study of Fujii and his artistic journey and long career.”—Lily Wong


The Pacific Northwest Inlander features A Year Right Here by Jess Thomson: “The book is filled with evocative food descriptions and enviable trips, but also encompasses the uncontrollable stuff of everyday life and explores the limits of physical ability. . . . Thomson’s book encourages readers to be curious about their natural habitats in a new way. . . . An invitation to adventure anyone can embrace.”—Cara Strickland


Greg in San Diego blog reviews Birds of the Pacific Northwest by Tom Aversa, Richard Cannings, and Hal Opperman: “I believe this is the most useful regional field guide to the birds in the northwest corner of the contiguous United States.”—Greg Gillson


Western Birds, the journal of Western Field Ornithologists, also reviews the birding guide: “For the majority of serious birders in the West who tend to limit their explorations to one or another state or province, this guide should expand their horizons and encourage more cross-border birding. . . . This guide is an essential reference for birders west of the continental divide, particularly for intermediate and advanced observers.”—Eugene Hunn


TrailBlazerGirl.com reviews Seattle Walks by David B. Williams: “Not your typical tourist guide book. . . . Seattle Walks is an excellent guide to help you experience Seattle in a new way.”


KCTS 9 Borders & Heritage mentions Signs of Home by Barbara Johns in a segment and article about the 75th anniversary of Executive Order 9066.


UW Today features news from the College of Arts & Sciences that the family of video art pioneer Doris Chase have donated 59 of her works to the Henry. We published a book about the artist, Doris Chase, Artist in Motion by Patricia Failing, in 1992.


TrailblazerGirl.com reviews Hiking Washington’s History and Walking Washington’s History by Judy Bentley: “Enhance your exploration of the Evergreen State with Judy Bentley’s books.”


Plant Science Bulletin reviews Timber Trees of Suriname by Chequita R. Bhikhi (dist. for LM Publishers): “Timber Trees of Suriname will be very useful for foresters and, as a first introduction to the rich tree flora of Suriname, for all botanists, ecologists, and amateurs interested in flora of the Guiana Shield.”—Marcel Rejmánek


The HOME — So Different, So Appealing exhibit is on view at LACMA through October 15, 2017. We will distribute the accompanying catalogue—edited by curators Chon A. Noriega, Mari Carmen Ramirez, and Pilar Tompkins Rivas—for UCLA Chicano Studies Research Center Press. The exhibit gets mentions at ARTnews and Cuban Art News, and a review in the New Yorker: “’Home – So Different, So Appealing’ is a big, keen show. . . . It tells many stories and is a story in itself.”—Peter Schjeldahl

The exhibit also gets a review in the Los Angeles Times: “If ‘Home’ is a harbinger of what to expect for the rest of the series, it has set the bar high.”—Carolina A. Miranda


KEXP’s KEXPlorer posts an audio recording of an April 2017 panel discussion at the Wing Luke Museum on “Feminism and war in the Asia Pacific” program with Cindy Domingo (coeditor of A Time to Rise; October 2017).


KEXP’s Mind Over Matters Sustainability Segment interviews Unlikely Alliances author Zoltán Grossman. WORT’s A Public Affair (Madison, WI) will also interview the author live on August 11, 2017.


Greg Robinson of Nichi Bei mentions No-No Boy by John Okada in his latest weekly column.


The Now & Then column of Pacific NW Magazine features Frederick L. Brown and The City Is More Than Human. Paul Dorpat’s blog features an expanded version of the column.


TrailblazerGirl.com reviews Haida Gwaii by Dennis Horwood:”For a comprehensive guide to one of National Geographic’s 20 Best Trips, check out Haida Gwaii.”


DCist features Carlos Bulosan and America Is in the Heart in an article about this weekend’s Smithsonian Asian American Literature Festival, as well as their weekend events round-up. The Festival features a two-day reading of Bulosan’s book and Troubling Borders editor Isabelle Thuy Pelaud will also be participating.


The Science magazine podcast features an interview with Smell Detectives author Melanie Kiechle. The American Scholar’s Smarty Pants podcast also interviews the author.


Not Another Sports Show podcast (#NASSRadio) interviews Playing While White author David J. Leonard.

New Books

Razor Clams: Buried Treasure of the Pacific Northwest
By David Berger

In this lively history and celebration of the Pacific razor clam, David Berger shares with us his love affair with the glossy, gold-colored Siliqua patula and gets into the nitty-gritty of how to dig, clean, and cook them using his favorite recipes. In the course of his investigation, Berger brings to light the long history of razor clamming as a subsistence, commercial, and recreational activity, and shows the ways it has helped shape both the identity and the psyche of the Pacific Northwest.

Waterway: The Story of Seattle’s Locks and Ship Canal
By David B. Williams, Jennifer Ott, and Staff of HistoryLink
Distributed for HistoryLink

Why does a city surrounded by water need another waterway? Find out what drove Seattle’s civic leaders to pursue the dream of a Lake Washington Ship Canal for more than sixty years and what role it has played in the region’s development over the past century. Historians Jennifer Ott and David B. Williams, author of Too High and Too Steep: Reshaping Seattle’s Topography, explore how industry, transportation, and the very character of the city and surrounding region developed in response to the economic and environmental changes brought by Seattle’s canal and locks.


Picturing India: People, Places, and the World of the East India Company
By John McAleer
Published with British Library

Few historians have considered the visual sources that survive from the British engagement with India and what they tell us about the link between images and empire, pictures and power. This book draws on the unrivaled riches of the British Library — both visual and textual — to tell that history. It weaves together the story of individual images, their creators, and the people and events they depict. And, in doing so, it presents a detailed picture of the Company and its complex relationship with India, its people and cultures.

Events

AUGUST

August 4 at 7 p.m., Ernestine Hayes, The Tao of Raven, Alaska State Library, Summer Lecture Series at the APK, Juneau, AK

August 5 at 11 a.m., Jess Thomson, A Year Right Here, Bear Pond Books, Stowe, VT

August 7 at 7 p.m., David B. Williams, Seattle Walks, King County Library Services – Renton Highlands, Renton, WA

August 11 at 7 p.m., Zoltán Grossman, Unlikely Alliances, A Room of One’s Own, Madison, WI

August 15 at 7 p.m., Judy Bentley, Walking Washington’s History, King County Library System – Lake Forest Park, Lake Forest Park, WA

August 15 at 7 p.m., David B. Williams, Seattle Walks, Co-presented with Capitol Hill Historical Society and Elliott Bay Book Company, Seattle, WA

August 30 at 7 p.m., Kathleen Alcalá, The Deepest Roots, Third Place Book Club hosted by Seattle7Writers (Lovecraft Country by Matt Ruff), Seattle, WA

August 31 at 7 p.m., David B. Williams, Seattle Walks, with Kevin O’Brien, Third Place Books, Seward Park, Seattle, WA

SEPTEMBER

September 7 at 7 p.m., David Berger, Razor Clams, University Book Store, Seattle, WA

September 7 at 7:30 p.m., David Leonard, Playing While White, BookPeople, Moscow, ID

September 9 from 11 a.m. – 6 p.m. (Multi-author signing from 1 – 2 p.m.), Readerfest with Kathleen Alcalá, The Deepest Roots, The Brig & Ampitheater at Magnuson Park, Seattle, WA

September 12 at 6 p.m., Paula Becker, Looking for Betty MacDonald, Sno-Isle Libraries, Mountlake Terrace Library, Mountlake Terrace, WA

September 13 at 7 p.m., Barbara Johns, The Hope of Another Spring, in conversation with Tom Ikeda, Seattle Public Library – Central Library with Elliott Bay Book Company and Denshō, Seattle, WA

September 13 at 7:30 p.m., David Berger, Razor Clams, Humanities Washington Speakers Bureau, Olympia Timberland Library, Olympia, WA

September 16 at 2 p.m., Paula Becker, Looking for Betty MacDonald, Humanities Washington, Sno-Isle Libraries, Stanwood Library, Stanwood, WA

September 16 at 2 p.m., William Wei, Asians in Colorado, Colorado Springs Pioneers Museum, Colorado Springs, CO

September 19 at 7 p.m., David Berger, Razor Clams, Humanities Washington Speakers Bureau, Wheelock Library, Tacoma, WA

September 20 at 6:30 p.m., David B. Williams, Jennifer Ott, and staff of HistoryLink, Waterway, MOHAI, History Café, Seattle, WA

September 20 at 7 p.m., Barbara Johns, The Hope of Another Spring, Friends of Mukai at the Vashon Land Trust building, Vashon Island, WA

September 21 at 7 p.m., David Berger, Razor Clams, Eagle Harbor Books, Bainbridge Island, WA

September 23 at 11 a.m., David B. Williams, Jennifer Ott, and staff of HistoryLink, Waterway, King County Library System – Newcastle, Newcastle, WA

September 23 at 11 a.m., David Berger, Razor Clams, Humanities Washington Speakers Bureau, Aberdeen Timberland Library, Aberdeen, WA

September 23 at 2 p.m., David Berger, Razor Clams, Humanities Washington Speakers Bureau, Westport Timberland Library, Westport, WA

September 23 at 7 p.m., David Leonard, Playing While White, Auntie’s Bookstore, Spokane, WA

September 29 at 7 p.m., David Leonard, Playing While White, Elliott Bay Books, Seattle, WA

September 30 at 2 p.m., Judy Bentley, Walking Washington’s History, Timberland Regional Library – Olympia, Olympia, WA

September 30 at 2 p.m., David Berger, Razor Clams, Humanities Washington Speakers Bureau, Columbia Pacific Heritage Museum, Ilwaco, WA

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July 2017 News, Reviews, and Events

News

Next Thursday evening, Seattle Theatre Group will present a screening of the film Promised Land, a documentary about the Duwamish and Chinook fight for treaty recognition influenced by several UW Press books. The Neptune Theatre screening is free and open to the public and will include preshow songs and drumming with the Chinook Indian Nation and Duwamish Tribe, and a postshow discussion with representatives from the tribes and the filmmakers. There’s still time to RSVP, and we hope you can join us!

The Scholarly Kitchen features the Mellon University Press Diversity Fellowship program and interviews editor in chief Larin McLaughlin: “The [Mellon] University Press Diversity Fellowship program is not a lament at how the pipeline is limited but rather a recognition that university presses can take responsibility for expanding their own recruiting pool directly.”—Roger C. Schonfeld

Senior acquisitions editor Catherine Cocks moderated a live panel discussion on the how, when, and why of developmental editing for the monthly Association of American University Presses (AAUP) Art of Acquisitions Panelists included Ann Regan (editor in chief, Minnesota Historical Society Press) and Matt Bokovoy (senior editor, University of Nebraska Press). You can watch the recorded Hangout video on YouTube, and catch up on public Art of Acquisitions Hangouts on the AAUP site and follow the series on Twitter at #artofACQ.

Book of the Month Giveaways

Enter to win one of this month’s picks! (Open to US residents only.)

  1. Playing While White by David J. Leonard (Entry form)
  2. The Portland Black Panthers by Lucas N. N. Burke and Judson L. Jeffries (Entry form)

The giveaways will close on Friday, July 14, 2017 at 1:00 p.m. PT. Winners will be notified by Monday, July 17, 2017.

Reviews and Interviews


No-No Boy by John Okada gets a mention in an advice essay at Inside Higher Ed.


Anthropology News features an article by Sanctuary and Asylum author Linda Rabben.


New Books in Genocide Studies / New Books network (NBn) interviews editor John Roth about Losing Trust in the World: “A compelling body of essays. . . . Readable and challenging. In the end, I’m not sure I know exactly how to ‘confront’ torture. But I am better equipped to try.”—Kelly McFall


Penn State News interviews author Madhuri Desai about Banaras Reconstructed.


UW Today features a May 2017 Perspectives newsletter article about UW art professor Zhi Lin and his eponymous exhibit. The Zhi LIN exhibit is view at Tacoma Art Museum (TAM) from June 27, 2017 – February 18, 2018, and we will distribute the accompanying book, Zhi Lin, for TAM.


The Rumpus reviews Vagrants & Accidentals by Kevin Craft: “A pleasure to hold and behold. . . . Through the conflation of music, birds, personal lives, and a shaky natural world, Craft troubles the reader with the impossible question: How are we to live when loss—personal, environmental, and political—is heaped upon loss?”—Cate Hodorowicz


artnet News features Queering Contemporary Asian American Art and coeditors Laura Kina and Jan Christian Bernabe: “Via its challenging and diverse reflections, Queering Contemporary Asian American Art shows how the specific questions of Asian American art history make the stakes of resisting a homonormative queer community (i.e. one that models itself after standards of success defined by white privilege and capitalism) even more vivid.”—Terence Trouillot

In conjunction with the book’s release and Pride month, the Center for Art and Thought is hosting a virtual exhibition called “Queer Horizons,” featuring artists showcased in the book, and curated by the coeditors.


Inquirer.net mentions A Time to Rise edited by Rene Ciria Cruz, Cindy Domingo, and Bruce Occena (forthcoming October 2017) in an article about the retirement of community organizer-leader Lillian Galedo.


Library Journal Xpress Reviews includes a short review of The Hope of Another Spring by Barbara Johns: “Highly recommended for anyone with an interest in Asian American studies, art, art history, and U.S. history; in particular, those wanting to read more about Japanese American history.”—Tina Chan


Bronxnet features video from a lecture by City of Virtues author Chuck Wooldridge, taped at Lehman College’s Leonard Leif Library this past April.


Waterway by David B. Williams, Jennifer Ott, and staff of HistoryLink (dist. for HistoryLink) gets some nice coverage ahead of the 100th anniversary of the Lake Washington Ship Canal, including features at Shelf Talk, Pacific NW Magazine, and Seattle Magazine.

New Books

Smell Detectives: An Olfactory History of Nineteenth-Century Urban America
By Melanie A. Kiechle
Foreword by Paul S. Sutter

What did nineteenth-century cities smell like? And how did odors matter in the formation of a modern environmental consciousness? Smell Detectives follows the nineteenth-century Americans who used their noses to make sense of the sanitary challenges caused by rapid urban and industrial growth. Melanie Kiechle examines nuisance complaints, medical writings, domestic advice, and myriad discussions of what constituted fresh air, and argues that nineteenth-century city dwellers, anxious about the air they breathed, attempted to create healthier cities by detecting and then mitigating the most menacing odors.

New in Paperback

The Portland Black Panthers: Empowering Albina and Remaking a City
By Lucas N. N. Burke and Judson L. Jeffries

Readers will gain a valuable new understanding of what the Black Panther Party meant to a city far away from the San Francisco Bay Area and New York City, and activists will get priceless lessons in the dos and don’ts of local organizing.”—H. Bruce Franklin, author of Vietnam and America

Classical Seattle: Maestros, Impresarios, Virtuosi, and Other Music Makers
By Melinda Bargreen

Bargreen offers compelling personal insights into her subjects’ lives as performers and residents of our region. No other book provides such a well-informed and well-written perspective focusing exclusively on Seattle’s classical community.”—Dave Beck, KING FM

Reclaimers
By Ana Maria Spagna

Spagna’s enthusiasm for their dedication and causes is irresistible. Such struggles are the real deal, after all, and what reader wouldn’t cheer on these tenacious underdogs trying to remedy past damage? We’re blessed with opportunities to make a difference, the writing shows. . . . The lessons of her journeys. . . are ‘Do what you can. Hope without hope. Expect the unexpected.”—Irene Wanner, Seattle Times

Bike Battles: A History of Sharing the American Road
By James Longhurst

“Bike Battles is masterly in its treatment of public policy toward the ‘roads as commons,’ and has given new depth to our understanding of cycling in America. I envy the light and easy style of the author.“—Glen Norcliffe, author of Ride to Modernity


The Tanoak Tree: An Environmental History of a Pacific Coast Hardwood
By Frederica Bowcutt

Bowcutt examines the history of the tanoak tree, bringing to life a rich story about how humans are connected to this beautiful yet unassuming tree. . . . [T]his valuable book will be important for a broad audience.“—Choice

Events

JULY

July 6 at 8 p.m. (Doors at 7 p.m.) STG & Tall Firs Cinema present Promised Land documentary screening at the Neptune Theater, Nights at the Neptune, with University Book Store, Seattle, WA (Press books will be on display; authors featured in documentary)

July 7-9, Eileen Bjorkman, The Propeller under the Bed, Arlington Fly-In, Arlington, WA

July 8 at 2 p.m., David B. Williams, Seattle Walks, King County Library System – Burien, Burien, WA

(SOLD OUT) July 10 at 6 p.m., Paula Becker, Looking for Betty MacDonald, Historic Seattle and the Shoreline Historical Museum, Firland Sanatorium | CRISTA Ministries, Seattle, WA

July 11 at 7 p.m., Paula Becker, Looking for Betty MacDonald, Humanities Washington, Asotin County Library, Basalt Cellars Winery, Clarkston, WA

July 12 at 7 p.m., David B. Williams, Jennifer Ott, and staff of HistoryLink, Waterway, MOHAI, Seattle, WA ($15 general public / $10 members; RSVP)

July 12 at 7 p.m., David Berger, Razor Clams, Humanities Washington, Guemes Island Community Center, Anacortes, WA

July 13 at 7 p.m., Judy Bentley, Walking Washington’s History, King County Library System – Auburn, Auburn, WA

July 22 from 9 a.m. – 1 p.m., Judy Bentley, Walking Washington’s History, Pacific Northwest Historians Guild, Guided hike of Coal Creek Trail, Newcastle, WA (RSVP; $10-25)

July 23 at 2 p.m., Kathleen Alcalá, The Deepest Roots, Pierce County Library System – Sumner Library (flyer), Sumner, WA

July 23 at 3 p.m., David B. Williams, Jennifer Ott, and staff of HistoryLink, Waterway, Seattle Public Library – Central Library, Seattle, WA

July 24-30, Eileen Bjorkman, The Propeller under the Bed, EAA AirVenture Fly-In, “Author’s Corner,” Oshkosh, WI

July 27 at 5:30 p.m., Judy Bentley, Walking Washington’s History, Timberland Regional Library – Vernetta Smith Chehalis Timberland Library, Chehalis, WA

July 27 at 6:30 p.m., Jennifer Ott, Waterway, Mukilteo Yacht Club, MYC General Meeting, Everett, WA

July 28 at 7 p.m., Linda Rabben, Sanctuary and Asylum, Iowa Yearly Meeting of Friends (Conservative) annual session (Program), Scattergood Friends School, West Branch, IA

July 30 at 2 p.m., David Berger, Razor Clams, Humanities Washington, Mason County Historical Museum, Shelton, WA

AUGUST

August 4 at 7 p.m., Ernestine Hayes, The Tao of Raven, Alaska State Library, Summer Lecture Series at the APK, Juneau, AK

August 5 at 11 a.m., Jess Thomson, A Year Right Here, Bear Pond Books, Stowe, VT

August 7, David B. Williams, Seattle Walks, King County Library Services – Renton Highlands, Renton, WA

August 15, Judy Bentley, Walking Washington’s History, King County Library System – Lake Forest Park, Lake Forest Park, WA

August 15 at 7 p.m., David B. Williams, Seattle Walks, Co-presented with Capitol Hill Historical Society and Elliott Bay Book Company, Seattle, WA

August 31, David B. Williams, Seattle Walks, with Kevin O’Brien, Third Place Books, Seward Park, Seattle, WA

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Native American and Indigenous Studies Association 2017 conference preview

We are thrilled to join the University of British Columbia and its co-hosts at the 2017 annual meeting of the Native American and Indigenous Studies Association (NAISA) from June 22 to 24, 2017 at UBC’s Vancouver campus on the traditional, ancestral, and unceded territory of the Musqueam Nation.

University of Washington Press editor in chief Larin McLaughlin, senior acquisitions editor Catherine Cocks, advancement and grants manager Beth Fuget, and assistant editor Niccole Leilanionapae’aina Coggins will be representing the press at booth 15.

If you’ll be attending the meeting, please join us on Friday, June 23 at 3:45 p.m. for light refreshments and a book signing to celebrate the most recent titles in the Indigenous Confluences series edited by Coll Thrush and Charlotte Coté. Network Sovereignty author Marisa Elena Duarte and Unlikely Alliances author Zoltán Grossman will be signing their new books!

Follow NAISA 2017 on Twitter and use the hashtag #NAISA2017 to keep posted on the annual meeting on social media!

New and forthcoming from our Indigenous Confluences series:

Dismembered: Tribal Disenrollment and the Battle for Human Rights
By David E. Wilkins and Shelly Hulse Wilkins

Since the 1990s, Native governments have been banishing, denying, or disenrolling citizens at an unprecedented rate. Nearly eighty nations, in at least twenty states, have terminated the rights of indigenous citizens. This first comprehensive examination of the origins of this disturbing trend looks at hundreds of tribal constitutions and interviews with disenrolled members and tribal officials to show the damage this practice is having across Indian Country and ways to address the problem.

Network Sovereignty: Building the Internet across Indian Country
By Marisa Elena Duarte

Given the significance of information and communication technologies (ICTs) to social and political life, many U.S. tribes and Native organizations have created their own projects, from streaming radio to building networks to telecommunications advocacy. Duarte examines these ICT projects to explore the significance of information flows and information systems to Native sovereignty, and toward self-governance, self-determination, and decolonization.

Unlikely Alliances: Native Nations and White Communities Join to Defend Rural Lands
By Zoltán Grossman
Foreword by Winona LaDuke

Unlikely Alliances explores the evolution from conflict to cooperation through place-based case studies in the Pacific Northwest, Northern Plains, Great Basin, and Great Lakes, from the 1970s to the 2010s. They suggest how a deep love of place can overcome the most bitter divides between Native and non-Native neighbors. In these times of polarized politics and globalized economies, many of these stories offer inspiration and hope.

Chinook Resilience: Heritage and Cultural Revitalization on the Lower Columbia River
By Jon D. Daehnke
Foreword by Tony A. Johnson
Forthcoming November 2017

This collaborative ethnography explores how the Chinook Indian Nation, whose land and heritage are under assault, continues to move forward and remain culturally strong and resilient. Jon Daehnke focuses on Chinook participation in archaeological projects and sites of public history as well as the tribe’s role in the revitalization of canoe culture in the Pacific Northwest. This lived and embodied enactment of heritage, one steeped in reciprocity and protocol rather than documentation and preservation of material objects, offers a tribally relevant, forward-looking, and decolonized approach for the cultural resilience and survival of the Chinook Indian Nation, even in the face of federal nonrecognition.

California through Native Eyes: Reclaiming History
By William J. Bauer Jr.

Native Students at Work: American Indian Labor and Sherman Institute’s Outing Program, 1900-1945
By Kevin Whalen
Foreword by Matthew Sakiestewa Gilbert

Indian Blood: HIV and Colonial Trauma in San Francisco’s Two-Spirit Community
By Andrew J. Jolivette

Education at the Edge of Empire: Negotiating Pueblo Identity in New Mexico’s Indian Boarding Schools
By John R. Gram
Foreword by Ted Jojola

A Chemehuevi Song: The Resilience of a Southern Paiute Tribe
By Clifford E. Trafzer
Foreword by Larry Myers

Other Native American and Indigenous Studies titles:

Native Seattle: Histories from the Crossing-Over Place, Second Edition
By Coll Thrush
Foreword by William Cronon
Weyerhaeuser Environmental Books

This updated edition of Native Seattle brings the indigenous story to the present day and puts the movement of recognizing Seattle’s Native past into a broader context. Native Seattle focuses on the experiences of local indigenous communities on whose land Seattle grew, accounts of Native migrants to the city and the development of a multi-tribal urban community, as well as the role Native Americans have played in the narrative of Seattle.

The Gift of Knowledge / Ttnuwit Atawish Nch’inch’imamí: Reflections on the Sahaptin Ways
By Virginia R. Beavert
Edited by Janne L. Underriner

The Gift of Knowledge / Ttnuwit Atawish Nch’inch’imamí is a treasure trove of material for those interested in Native American culture. Linguist and educator Beavert narrates highlights from her own life and presents cultural teachings, oral history, and stories (many in bilingual Ishishkíin-English format) about family life, religion, ceremonies, food gathering, and other aspects of traditional culture.

Sonny Assu: A Selective History
By Sonny Assu
With Candice Hopkins, Marianne Nicolson, Richard Van Camp, and Ellyn Walker
Forthcoming Summer/Fall 2017

Through large-scale installation, sculpture, photography, printmaking, and painting, Sonny Assu merges the aesthetics of Indigenous iconography with a pop-art sensibility. This stunning retrospective spans over a decade of Assu’s career, highlighting more than 120 full-color works, including several never-before-exhibited pieces.

American Indian Business: Principles and Practices
Edited by Deanna M. Kennedy, Charles F. Harrington, Amy Klemm Verbos, Daniel Stewart, Joseph Scott Gladstone, and Gavin Clarkson
Forthcoming September 2017

This book provides an accessible introduction to American Indian businesses, business practices, and business education. Chapters cover the history of American Indian business from early trading posts to today’s casino boom; economic sustainability, self-determination, and sovereignty; organization and management; marketing; leadership; human resource management; tribal finance; business strategy and positioning; American Indian business law; tribal gaming operations; the importance of economic development and the challenges of economic leakage; entrepreneurship; technology and data management; business ethics; service management; taxation; accounting; and health-care management.

The Tao of Raven: An Alaska Native Memoir
By Ernestine Hayes

Menadelook: An Inupiat Teacher’s Photographs of Alaska Village Life, 1907-1932
Edited by Eileen Norbert

Being Cowlitz: How One Tribe Renewed and Sustained Its Identity
By Christine Dupres

Chinookan Peoples of the Lower Columbia
Edited by Robert T. Boyd, Kenneth M. Ames, and Tony A. Johnson

Tulalip, From My Heart: An Autobiographical Account of a Reservation Community
By Harriette Shelton Dover
Edited and introduced by Darleen Fitzpatrick
Foreword by Wayne Williams

Native Art of the Pacific Northwest: A Bill Holm Series

Published with Bill Holm Center for the Study of Northwest Coast Art, Burke Museum

Northwest Coast Indian Art: An Analysis of Form, 50th Anniversary Edition
By Bill Holm

In the Spirit of the Ancestors: Contemporary Northwest Art at the Burke Museum
Edited by Robin K. Wright and Kathryn Bunn-Marcuse

Return to the Land of the Head Hunters: Edward S. Curtis, the Kwakwaka’wakw, and the Making of Modern Cinema
Edited by Brad Evans and Aaron Glass
Foreword by Bill Holm

Photo Essay: ‘The Hope of Another Spring’

This Asian/Pacific American Heritage Month we are excited to share special features with authors and editors of new and recent titles that celebrate Asian and Pacific Islanders in the United States.

Today we feature a guest post from The Hope of Another Spring: Takuichi Fujii, Artist and Wartime Witness author Barbara Johns exploring some of the most powerful and intriguing pieces by Issei artist Takuichi Fujii (1891-1964).

Her book, published this spring, reveals Fujii’s life story and work and gives a telling alternative view of the wartime ordeal of West Coast Japanese Americans. The centerpiece of Fujii’s large and heretofore unknown collection is his illustrated diary, which historian Roger Daniels calls “the most remarkable document created by a Japanese American prisoner during the wartime incarceration.”

Please join us to celebrate the publication of The Hope of Another Spring at these events:

Wednesday, June 7 at 7 p.m., Folio with Elliott Bay Book Company, Denshō, and the Wing Luke Museum, Seattle, WA

Thursday, June 8 at 7 p.m., Third Place Books, Lake Forest Park, WA

Wednesday, September 13 at 7 p.m., In conversation with Tom Ikeda, Seattle Public Library – Central Library with Elliott Bay Book Company and Denshō, Seattle, WA Seattle, WA

Saturday, September 16 at 2 p.m., Exhibit opening and curator talk, Washington State History Museum, Tacoma, WA

Wednesday, September 20 at 7 p.m., Friends of Mukai at the Vashon Land Trust building, Vashon Island, WA

Saturday, October 7 at 2 p.m., Kinokuniya, Seattle, WA

Saturday, October 14 at 2 p.m., University Book Store, Tacoma, WA

Friday, October 20 at 1:30 p.m., Walla Walla Art Club, Walla Walla, WA

The Washington State History Museum in Tacoma will present the corresponding exhibition, Witness to Wartime: Takuichi Fujii, from September 21, 2017 – January 4, 2018.

After the exhibition closes in Tacoma, it will travel to the Alexandria Museum of Art in Alexandria, LA from March 1 – June 27, 2018.


Takuichi Fujii (1891-1964), Chicago, ca. 1953. Fujii, pictured here in his early sixties, moved to Chicago after World War II. During the war Chicago became the center of Japanese America as the result of the War Relocation Authority’s resettlement policy. Fujii moved to the city after the war and spent the remainder of his life there.

Photo courtesy of Sandy and Terry Kita.

Fujii, High School Girl, ca. 1934-1935. Fujii immigrated from Hiroshima to Seattle at the age of fifteen, established a small fish sales business, and by the 1930s was a well-recognized artist. This painting pictures his daughter, a student at Broadway High School.

Oil on canvas, 22 3/4 x 29 in. Wing Luke Asian Museum Collection. Photo: Richard Nicol.

Fujii, Evacuation, 1942. Executive Order 9066, issued on February 19, 1942, authorized the army to establish military zones “from which any or all persons may be excluded,” targeting although not naming persons of Japanese ancestry. The mass forced removal began in late March, and by June, more than 110,000 Japanese Americans on the West Coast were incarcerated under armed guard. Fujii began an illustrated diary that he would keep throughout the war, and here, shows his family leaving home.

Diary frontispiece. Ink and watercolor on paper, image 4 1/4 x 4 in. Sandy and Terry Kita Collection.

Fujii, Diary entry, 1942. Fujii wrote, “We arrived at the Puyallup Assembly Center. Those who had been sent here earlier greeted us from inside the barbed wire.” Fujii’s diary, nearly four hundred pages of text and images, gives a detailed account of the “camp” experience from an inmate’s perspective.

Ink on paper, 8 x 5 1/2 in. Sandy and Terry Kita Collection.

Puyallup Assembly Center, Washington, 1942. Crudely built barracks on the Western Washington Fairgrounds and surrounding area housed more than 7,000 Japanese Americans from May to September. Meals, latrines, showers, and laundry were communal. Inadequate plumbing, noise, endless lines, and mandatory roll call were daily conditions.

Denshō, courtesy of Library of Congress Prints and Photographs Division, LC-USZ6-1654, http://encyclopedia.densho.org/sources/en-denshopd-i217-00021-1/.

Fujii, Puyallup Assembly Center. In addition to his diary, Fujii produced well over one hundred watercolors that replicate or complement the diary drawings. He writes in the diary entry on which this watercolor is based, “The south side of the camp: the place where there was a tall watchtower.” His drawings and watercolors repeatedly trace the means of confinement and specify his viewpoint, positioning him as a witness.

Watercolor on paper, 4 x 6 in. Sandy and Terry Kita Collection.

Fujii, Puyallup Assembly Center, man standing by barracks. This watercolor enlarges a detail from the diary drawing, as Fujii continued to reflect on his experience.

Watercolor on paper, 14 x 10 in. Sandy and Terry Kita Collection.

Fujii, Minidoka War Relocation Authority camp. Minidoka occupied 950 acres of desert land in south-central Idaho and at its peak, housed over 9,000 Japanese Americans. This painting is one of three related images to picture this portion of the fence, including the tumultuous montage on the cover of The Hope of Another Spring. Fujii’s diary reads, “This is the barbed wire and [the scene] around Block 24.”

Watercolor on paper, 13 1/2 x 10 in. Sandy and Terry Kita Collection.

Fujii, Minidoka, pounding mochi for New Year’s day. At the end of December 1942, two generations of men pound steamed rice for mochi in preparation for the first New Year at Minidoka. An Issei, or immigrant-generation Japanese, he often contrasts his and the younger generation in his diary, but here, he describes their shared social celebration as “we pounded the [mochi] shouting enthusiastically.”

Watercolor on paper, 6 1/4 x 4 1/2 in. Sandy and Terry Kita Collection.

Fujii, Minidoka, drawing by flashlight. Fujii pictures himself in usual perspective as he draws inside his barrack, as if to make the viewer a witness alongside him.

Watercolor on paper, 14 3/4 x 10 in. Sandy and Terry Kita Collection.

Fujii, double portrait of himself and his wife, Fusano (on the left), ca. 1943-1945. This unique sculpted pair shows the strong, supportive union between Fujii and his wife. The dimensions suggest the wood was scavenged from fence posts when a portion of the hated barbed-wire fence was dismantled.

Carved wood, the taller, 9 x 4 x 3 1/4 in. Sandy and Terry Kita Collection. Photo: Richard Nicol.

Fujii, Diary entry, Minidoka, October 2, 1945. Fujii and his wife, having received eviction papers, await their departure from Minidoka to an unknown future. He describes the acute anxiety aroused by the announcement of the closure of the camps in 1945, particularly among the Issei, who had lost their homes, farms and businesses, possessions, and, for many of them, their health.  His diary is exceptional in recording his experience from the forced removal in 1942 to his leaving Minidoka as the camp closed.

Ink on paper, 8 x 5 1/2 in. Sandy and Terry Kita Collection.

Fujii, abstraction, early 1960s. Moving to Chicago after the war, Fujii continued to paint and experimented with abstraction in a broad range of styles. His work culminated in a series of bold, dynamic black and white abstractions in the last years of his life.

Enamel on canvas, 24 x 36 in. Sandy and Terry Kita Collection. Photo: Richard Nicol.


Barbara Johns, PhD, is a Seattle-based art historian and curator. Her previous books include Signs of Home: The Paintings and Wartime Diary of Kamekichi Tokita, Paul Horiuchi: East and West, Jet Dreams: Art of the Fifties in the Northwest, and Anne Gould Hauberg: Fired by Beauty.

‘What makes work meaningful?’: Q&A with ‘The Social Life of Inkstones’ author Dorothy Ko

The following interview originally appeared at Barnard News and is adapted and used with permission. (Courtesy of N. Jamiyla Chisholm, Barnard College, New York City.)


To honor Asian/Pacific American Heritage Month, Barnard College professor of history Dorothy Ko offers a peek into ancient and modern-day Eastern culture and politics.

According to the Library of Congress, Asian/Pacific American Heritage Month takes place in May for two reasons: May 7, 1843, marked the immigration of the first Japanese citizen to the U.S.; and on May 10, 1869, the transcontinental railroad was completed, mostly by Chinese immigrant workers.

Credit: Marvin Trachetenberg

Dorothy Ko explores the subjects of gender and body in early modern China. In her books, Ko unravels the complex worlds of Chinese footbinding (Cinderella’s Sisters: A Revisionist History of Footbinding), fashion (Every Step a Lotus: Shoes for Bound Feet), and feminism (Teachers of the Inner Chambers: Women and Culture in Seventeenth-Century China). Her latest, The Social Life of Inkstones: Artisans and Scholars in Early Qing China, introduces the West to the world of ancient Asian stones and includes close to 100 images (see slideshow below). Ko explains the significance of this highly specialized art form.

What exactly is an inkstone and what is its significance in East Asian culture?

An inkstone is a piece of polished stone about the size of an outstretched palm. Before the invention of fountain pens, let alone laptops and iPads, every student, writer, or painter in East Asia had to grind a fresh supply of ink at the desk by dipping an ink-stick in water and rubbing it on the surface of the stone. This process was as instinctive to them as recharging our iPhones is to us. Day in and day out, the writers and painters developed deep attachments to their implements. More than an instrument for writing, the inkstone was a collectible object of art, a father’s gift to his school-bound son, a token of friendship, and even a diplomatic gift between states.

Why is this tool so unfamiliar to Western civilizations when it has represented so much for the East for more than a millennium?

Europeans drew ink from an inkpot so they had no use for an ink-grinding stone. Nor did the early European collectors appreciate its subtle beauty as the Chinese connoisseurs did. The color of the inkstone tended to be deep purple or black; it is small and does not display well in a stately home or fancy apartment. So it is no wonder that there is no notable collection of inkstones in Europe or America.

Your book shines a light on craftswoman Gu Erniang who became famous for her inkstone-making skills, which were refined between the 1680s and 1730s. What made her such a standout?

Her extraordinary skills. Gu Erniang was a remarkable woman who thrived in a field dominated by men; she became more famous than her male colleagues. Her name was associated with technical and artistic innovations as well as refined taste. It is also interesting to mention that she enjoyed more gender freedom than her genteel sisters in that she could receive male patrons in her studio to discuss commissioned projects face-to-face.

How has the significance of inkstone artisans changed over time?

Gu Erniang was one of the first inkstone makers in China to attach her signature mark on her work, suggesting a heightened respect that exceptional artisans like her enjoyed. Today, because the inkstone is no longer a functional object, all inkstone artisans have to present themselves as creative artists.

What interests you most in this topic area and what are some of the biggest “ah ha!” moments you had conducting research for the book?

I love all the modern conveniences we enjoy but increasingly feel the need to look back and reassess the heavy price we pay for such “industrial development” or “progress.” I became interested in the craftsmen because theirs was a sustainable livelihood that was environmentally responsible. Through their eyes, I arrive at tentative answers to my big question at the moment: What makes work meaningful? The craftsman’s answer: Making one-of-a-kind objects with attention and skill in a collaborative environment. Craft makes us more human by inspiring us to strive for perfection.

How does the research conducted for this book connect to research from your previous publications on footbinding and Chinese feminism?

As a historian of gender, I’m sensitive to power inequalities and trained to analyze the operations of power. In the same way that I had retrieved women in Chinese history in my earlier books, I set out to retrieve the artisans from erasure in the hands of male scholars. Little did I know that the latter turned out to be a far more difficult project.

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Q&A with ‘Queering Contemporary Asian American Art’ editors Laura Kina and Jan Christian Bernabe

This Asian/Pacific American Heritage Month we are excited to share special features with authors and editors of new and recent titles that celebrate Asian and Pacific Islanders in the United States.

Today we speak with Queering Contemporary Asian American Art editors Laura Kina and Jan Christian Bernabe about their groundbreaking volume, published this spring, and corresponding website.

Queering Contemporary Asian American Art takes Asian American differences as its point of departure for bringing together artists and scholars pushing back against normative assumptions, expectations, critiques, and practices within Asian American art and visual culture. Taken together, these nine original artist interviews, cutting-edge visual artworks, and seven critical essays explore contemporary currents and experiences within Asian American art, including the multiple axes of race and identity; queer bodies and forms; kinship and affect; and digital identities and performances. The interdisciplinary and theoretically informed frameworks in the volume engage readers to understand global and historical processes through contemporary Asian American artistic production.

Why did you want to put together this book?

Laura Kina and Jan Christian Bernabe: Most of the contributors of Queering Contemporary Asian American Art met at a 2012 National Endowment for the Humanities supported summer institute entitled “Re-envisioning American Art History: Asian American Art, Research, and Teaching” at the Asian/Pacific/American Institute at New York University. There we discussed the ways in which we could advance the field of Asian American art history through our teaching, writing, and curatorial projects.

We were very fortunate to have listened to a lecture on “doing” Asian American art history by the late Karin Higa. In her lecture, she described those of us invested in the field as “the termites of art history.” It was a call to critique and nibble away at what we call in the book “the white hegemonic pillars of art practice, history, and criticism.”

We wanted to heed Higa’s call to find innovative and timely ways to work on Asian American art history and thus formed a group at the seminar called “Que(e)rying Asian American Art,” for which the title of our book is named. We saw intense interest by the members of the group to think about the ways in which queer theory could inform Asian American art criticism.

In many ways, the discussions we had during the seminar and at many conferences after the seminar had ended informed the creation of our book. We like to think that our book is a product of our termite activities.

What was it like writing and putting together this kind of volume?

LK & JCB: The process of writing the book was extremely intense but exhilarating! We invited seven authors to write critical essays for the anthology and in total we interviewed 17 artists, from emerging to established in their careers. We started the process of interviewing during the summer of 2014 with genderqueer and transgender artists in Chicago: Kiam Marcelo Junio and Greyson Hong, respectively.

We worked together virtually and in coffee shops throughout Chicago in the two years of the book’s production, and we made a point of organizing panel discussions at academic conferences with the various artists and scholars involved in the book as. There was a lot of transcription of interviews involved as well as selecting artwork to be in the book. Our last interview was in spring 2016 with Tina Takemoto, a San Francisco based artist who self-describes as a “queer, gender queer, gender nonconforming, Asian American dyke.”

What do you hope is the book’s most important contribution?

LK & JCB: We hope our book builds on a queer of color critique and advances the field of Asian American art and contemporary art. The book is a call to build queer coalitions of resistance, to push back against the dominant “model minority” paradigm in Asian America of assimilationist “good” behavior—of not making waves and being silent and complicit in the face of anti-blackness, Islamophobia, homophobia, transphobia, and so forth that pervades US culture.

What is your next project?

LK & JCB: We are currently curating a virtual exhibition inspired by our book for the Center for Art and Thought called “Queer Horizons.” In this current moment of political and cultural transformations, especially affecting people of color and LGBTQ communities, the show seeks to envision what a queer futurity looks like. This idea of a queer horizon, borrowed from the late Jose Muñoz, proposes what he calls “a greater openness to the world.”

What do you hope readers will take away from this book?

LK & JCB: The artwork is the most important thing. On a basic level, we just want to introduce the important work of the artists and scholars in this book to a wider audience. On a broader level, we want to inspire readers to form their own queer coalitional politics; we are writing to bring together feminists and queer of color artists and scholars to take up our “termite activities” and keep on nibbling at the hegemonic foundations of art history.


Laura Kina is an artist and a Vincent de Paul Professor of Art, Media, and Design at DePaul University. She is the coeditor of War Baby / Love Child: Mixed Race Asian American Art. Jan Christian Bernabe is the operations, new media, and curatorial director at the Center for Art and Thought. The contributors are Mariam B. Lam, Eun Jung Park, Alpesh Kantilal Patel, Valerie Soe, and Harrod J Suarez. Featured artists are Anida Yoeu Ali, Kim Anno, Eliza Barrios, Sita Kuratomi Bhaumik, Wafaa Bilal, Hasan Elahi, Greyson Hong, Kiam Marcelo Junio, Lin + Lam (H. Lan Thao Lam and Lana Lin), Viet Le, Maya Mackrandilal, Zavé Martohardjono, Jeffrey Augustine Songco, Tina Takemoto, Kenneth Tam, and Saya Woolfalk.