Category Archives: Art and Art History

New in Art History and Visual Culture for CAA 2017

From February 15-18, we are excited to attend the annual conference of the College Art Association in New York, NY. Editor in chief Larin McLaughlin and advancement and grants manager Beth Fuget will be representing the Press, debuting several new books, and meeting with authors, publishing partners, and other professionals in the arts.

We are thrilled to introduce our recent and forthcoming titles in art history and visual culture at the meeting. Please stop by our booth (#206) to get a first look at our new offerings, and join the discussion on social media with #caa2017.

New and Recent Books

Migrating the Black Body: The African Diaspora and Visual Culture
Edited by Leigh Raiford and Heike Raphael-Hernandez

Migrating the Black Body explores how visual media—from painting to photography, from global independent cinema to Hollywood movies, from posters and broadsides to digital media, from public art to graphic novels—has shaped diasporic imaginings of the individual and collective self.

Forthcoming Books

The Hope of Another Spring: Takuichi Fujii, Artist and Wartime Witness
By Barbara Johns
Foreword by Roger Daniels
Introduction to the diary by Sandy Kita
Scott and Laurie Oki Series in Asian American Studies
Forthcoming May 2017

The Hope of Another Spring reveals the rare find of a heretofore unknown collection of art produced during World War II. The centerpiece of the collection is Fujii’s illustrated diary that historian Roger Daniels has called “the most remarkable document created by a Japanese American prisoner during the wartime incarceration.”

Sonny Assu: A Selective History
By Sonny Assu
With Candice Hopkins, Marianne Nicholson, Richard Van Camp, and Ellyn Walker
Forthcoming June 2017

Through large-scale installation, sculpture, photography,
printmaking, and painting, Sonny Assu
merges the aesthetics of Indigenous iconography
with a pop-art sensibility. This stunning retrospective
spans over a decade of Assu’s career, highlighting
more than 120 full-color works, including several
never-before-exhibited pieces.

Queering Contemporary Asian American Art
Edited by Laura Kina and Jan Christian Bernabe
Foreword by Susette Min
Afterword by Kyoo Lee
Jacob Lawrence Series on American Artists
Forthcoming May 2017

These artist interviews, cutting-edge visual artworks, and critical essays explore contemporary currents and experiences within Asian American art, including the multiple axes of race and identity; queer bodies and forms; kinship and affect; and digital identities and performances. Continue reading

February 2017 News, Reviews, and Events

News

We are pleased to announce that Catherine Cocks is joining our acquisitions team as Senior Acquisition Editor, starting February 15. She started her career in academic publishing at SAR Press, the publishing arm of the School for Advanced Research, where she established the cutting-edge series in Global Indigenous Politics, among other accomplishments. She worked most recently at the University of Iowa Press, where she is currently Editorial Director. Please join us in welcoming Catherine to the press!

The University of Washington Press has five selected entries in the Association of American University Presses (AAUP) 2017 Book, Jacket, and Journal Show. Congratulations to the designers, our Editorial, Design, and Production department, and all involved!

Nine University of Washington Press authors will be participating in the 12th Annual Literary Voices event on May 3, 2017. Annie Proulx is this year’s keynote speaker.

Reviews and Interviews

The Times Literary Supplement reviews Ice Bear by Michael Engelhard: “Engelhard has an apt and unusual background for a book such as this. . . . Among the strengths of Ice Bear is its grasp of the rituals by which humans have always aspired to draw the strength of the polar bear into themselves.”—Mark Abley

The Spectator also reviews the book: “[A] beautifully illustrated, hugely engaging book. . . . For all its nightmare-haunting power, however, the aspect of the polar bear that really makes it an icon of the age is its vulnerability . . . . Another merit of the book is the author’s willingness to track these themes to their origins.”—Mark Cocker

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Exhibitions on View: ‘Jacob Lawrence: The Migration Series’

Jacob Lawrence (1917-2000) is widely regarded as one of America’s most important and celebrated artists. Lawrence’s paintings, drawings, and murals depict both critical moments in history and poignant struggles of the black American experience—from the Civil War to the civil rights movement and beyond. Lawrence’s many awards include his 1983 election to the American Academy of Arts and Letters, a National Arts Award in 1992, and his confirmation as Commissioner of the National Council of the Arts in 1978 by the U.S. Senate. Lawrence accepted a tenured position at the University of Washington in 1971, retired as professor emeritus in 1986, and remains one of Seattle’s most beloved artists.

Jacob Lawrence in his Seattle studio, 1984. Photo by Mary Randlett.

Jacob Lawrence in his Seattle studio, 1984. Photo by Mary Randlett.

In celebration of the 100th anniversary of his birth, the Seattle Art Museum will show all sixty panels of the epic series considered his masterwork together on the West Coast for the first time in decades. Jacob Lawrence: The Migration Series is on view from Saturday, January 21 through Sunday, April 23, 2017.

The University of Washington Press is proud to have published many books by and about Lawrence over the years and in conjunction with key exhibitions of his work at museums throughout the country.

Learn more about Jacob Lawrence: The Migration Series at the Seattle Art Museum site, which also provides links to online interactive experiences created by the two museums that jointly own the series:

Additional reading from UW Press by and about Jacob Lawrence:

Aesop’s Fables
Jacob Lawrence

Aesop’s Fables combines 23 timeless morality tales with striking black ink drawings by the revered artist. Published originally in 1970, the book was out of print for two decades. The new edition, completely redesigned and typeset, adds five illustrations Lawrence prepared for the original edition but which were not included in it.

Jacob Lawrence: American Painter
By Ellen Harkins Wheat

This major book is the most comprehensive survey ever made of Lawrence’s work and traces his development as an artist as well as places his work within the tradition of American modernism. The chronological overview of his career is enhanced by over 150 illustrations of his work, 85 in color, and a generous selection of photos that place him in his studio, in the art world at large, and among his friends and colleagues.

Over the Line: The Art and Life of Jacob Lawrence
Edited by Peter T. Nesbett and Michelle DuBois

The first multi-author, in-depth probe of the artist’s entire career: the nature of his work, his education, the critical climate in which he worked, and his use of materials and techniques. It reproduces, in full color, more than 200 works, most of which had not been published in color, or at all, in other books on the artist.

Also available:

Jacob Lawrence: The Complete Prints, 1963-2000
Peter T. Nesbett

This new edition of Jacob Lawrence: Thirty Years of Prints (1963-1993) includes 19 new prints produced by Lawrence since 1993, including 7 from the Toussaint L’Ouverture series. The book includes an essay by Patricial Hills. In his graphic work, Lawrence presents a vision of a common struggle toward unity and equality, a universal struggle seated in the depths of the human consciousness.

National Women’s Studies Association Conference Preview

We are thrilled to attend the 2016 National Women’s Studies Association annual conference in Montréal, Québec, Canada, from November 10 -13, 2016.

If you will be attending the conference, we hope you will join us for a few book signings at booth #102. On Friday, we mark the publication of Figuring the Population Bomb: Gender and Demography in the Mid-Twentieth Century with author Carole R. McCann—the first book in the Feminist Technosciences series. On Saturday, we celebrate author Sylvanna M. Falcón and her 2016 NWSA Gloria E. Anzaldúa Book Prize winner, Power Interrupted: Antiracist and Feminist Activism inside the United Nations.

Edited by Rebecca Herzig and Banu Subramaniam, the Feminist Technosciences series seeks to publish emerging, intersectional, cutting-edge feminist work in science and technology studies. As science and technology move to center stage in contemporary culture and politics, the need for new and multifaceted analyses becomes even more pressing. Interdisciplinary feminist science studies continues to seek ways to improve science and technology, including addressing the persistent underrepresentation of women and people of color in Science, Technology, Engineering, and Mathematics (STEM) fields. The series will foreground insights from queer studies, critical race studies, disability studies, animal studies, postcolonial theory, and other critical approaches that reframe and reignite longstanding questions in feminist science and technology studies. Learn more in the series brochure.

UW Press Editor in Chief Larin McLaughlin and Direct Marketing, Exhibits, and Advertising Manager Katherine Tacke will be representing the Press at booth #102. Please come by to learn more about our new and forthcoming titles in women’s and gender studies. Use the #ReadUP and #NWSA2016 hashtags to follow along with the conference on social media.

Check out more information about the scheduled book signings and select featured titles below.

BOOK SIGNING WITH CAROLE R. MCCANN

Friday, November 11 at 4:00 p.m., Booth #102

Figuring the Population Bomb: Gender and Demography in the Mid-Twentieth Century
By Carole R. McCann

The debut title in the Feminist Technosciences series traces the history of demography as a discipline and the twentieth-century “facts” that created a panic about a looming population explosion. McCann reveals the gendered geopolitical grounds of demographic theories and measurement practices, popularized in the 1970s in Paul Erlich’s best-selling book, “The Population Bomb,” that continue to influence how governments and scholars talk about and influence women’s reproductive lives.

BOOK SIGNING WITH SYLVANNA M. FALCÓN

Saturday, November 12 at 10:30 a.m., Booth #102

Power Interrupted: Antiracist and Feminist Activism inside the United Nations
By Sylvanna M. Falcón

Winner of the 2016 NWSA Gloria E. Anzaldúa Book Prize

In Power Interrupted, Sylvanna M. Falcón redirects the conversation about UN-based feminist activism toward UN forums on racism. Her analysis of UN antiracism spaces, in particular the 2001 World Conference against Racism, Racial Discrimination, Xenophobia, and Related Intolerance in Durban, South Africa, considers how a race and gender intersectionality approach broadened opportunities for feminist organizing at the global level. The Durban conference gave feminist activists a pivotal opportunity to expand the debate about the ongoing challenges of global racism, which had largely privileged men’s experiences with racial injustice. When including the activist engagements and experiential knowledge of these antiracist feminist communities, the political significance of human rights becomes evident. Using a combination of interviews, participant observation, and extensive archival data, Sylvanna M. Falcón situates contemporary antiracist feminist organizing from the Americas—specifically the activism of feminists of color from the United States and Canada, and feminists from Mexico and Peru—alongside a critical historical reading of the UN and its agenda against racism.

Read a Q&A with the author

Read a guest post from the author on the United Nations Secretary-General election

FORTHCOMING SPRING 2017

Queering Contemporary Asian American Art
Edited by Laura Kina and Jan Christian Bernabe
Foreword by Susette Min
MAY 2017

Queering Contemporary Asian American Art takes Asian American differences as its point of departure, and brings together artists and scholars to challenge normative assumptions, essentialisms, and methodologies within Asian American art and visual culture. Taken together, these nine original artist interviews, cutting-edge visual artworks, and seven critical essays explore contemporary currents and experiences within Asian American art, including the multiple axes of race and identity; queer bodies and forms; kinship and affect; and digital identities and performances.

Using the verb and critical lens of “queering” to capture transgressive cultural, social, and political engagement and practice, the contributions to this volume explore the connection points in Asian American experience and cultural production of surveillance states, decolonization and diaspora, transnational adoption, and transgender bodies and forms, as well as heteronormative respectability, the military, and war. The interdisciplinary and theoretically informed frameworks in the volume engage readers to understand global and historical processes through contemporary Asian American artistic production.

OTHER FEATURED TITLES

Holiday Books from UW Press

If your family is anything like mine, the season of giving is a non-stop search for just the right book for everyone in our lives—Mom loves history! Dad loves art! Siblings love local food! Luckily University of Washington Press has you covered with a range of books that will surely appeal to everyone on your list.

holidaysale_v2

We are delighted to extend a 50% discount to our University of Washington Press community. Please use the code WHOL16 when ordering via our website or when calling customer service at 1-800-537-5487. (Please contact Rachael Levay with any questions at remann [at] uw [dot] edu.)

Feeling lucky? Enter our Holiday Book Bundle giveaway using the form at the bottom of this post for a chance to win free copies of some of our favorite holiday picks, including the ones featured here.

For the animal lover or the art lover:

Ice Bear: The Cultural History of an Arctic Icon by Michael Engelhard combines amazing art and illustrations with a fascinating history of the polar bear. With over 170 color illustrations, Engelhard shows us the full scope of the polar bear’s appeal and ensures you’ll never think of the polar bear the same way.

For the lover of memoir or the literary type:

The Tao of Raven: An Alaska Native Memoir by Ernestine Hayes tells the poignant and lyrical story of Hayes’s return to Juneau and to her Tlingit home after many years away. Interweaving her personal history with the story of the Raven and the Box of Daylight, Hayes illuminates her frustration and anger at what still faces Alaska Natives in their own land while examining her own evolution as a writer.

For the history buff or the outdoorsman/woman:

Defending Giants: The Redwood Wars and the Transformation of American Environmental Politics by Darren Speece tells the riveting history of how the giant redwoods emerged as an icon of the struggle over environment and industry. Bill McKibben says Defending Giants “brings back to life the story of some of the most committed and capable environmentalists I’ve ever known, people who worked on a scale as epic as the forests they fought for.”

For everyone else in the Pacific Northwest:

Birds of the Pacific Northwest: A Photographic Guide by Tom Aversa, Richard Cannings, and Hal Opperman has over 900 illustrations and shows off the birds that live in our coastal rainforest, North America’s northernmost deserts, and the northern/mid-Rockies to the east.

Exhibitions on View: ‘Conflicts of Interest’

We are delighted to present the catalog to accompany the exhibition, Conflicts of Interest: Art and War in Modern Japan, presented at the Saint Louis Art Museum from October 16, 2016 – January 8, 2017.

Conflicts of Interest showcases extraordinary visual material documenting Japan’s rise as a military power in East Asia, starting with the Meiji Restoration in 1868, then depicting events of the Sino-Japanese War (1894-1895) and the Russo-Japanese War (1904-1905), two wars between Japan and its imperial neighbors China and Russia, and then culminating with Pearl Harbor.

The exhibition is organized by the Saint Louis Art Museum and curated by Philip Hu, associate curator-in-charge of Asian Art, in collaboration with Rhiannon Paget, Andrew W. Mellon Fellow for Japanese Art. The corresponding book edited by Philip Hu features essays by Hu, Andreas Marks, Sonja Hotwagner, Sebastian Dobson, Rhiannon Paget, and Maki Kaneko; catalogue entries by Hu and Paget; and contributions by Sonja Hotwagner.

Kobayashi Kiyochika (1847-1915),The Fall of Jinzhou Fortress: Private First Class Onoguchi Tokuji, 1895, published by Katada Chojiro (active late 19th-early 20th century), center panel of triptych of color woodblock prints, 121:2010b.

Kobayashi Kiyochika (1847-1915),The Fall of Jinzhou Fortress: Private First Class Onoguchi Tokuji, 1895, published by Katada Chojiro (active late 19th-early 20th century), center panel of triptych of color woodblock prints, 121:2010b.

In presenting highlights of this collection to the public, the Museum endeavors to foster understanding of the extraordinary art and visual culture of wartime Japan and the complex causes and repercussions of these conflicts, as well as reflect on the ways in which the images communicate, sometimes with devastating consequences, narratives and ideals of nation, empire, and ethnic identity.—From the foreword by Brent R. Benjamin, The Barbara B. Taylor Director, Saint Louis Art Museum

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Behind the Covers: “Looking for Betty MacDonald” and Three New Editions . . .

macdonald-book-3dPaula Becker‘s Looking for Betty MacDonald, the first comprehensive biography of this endearing Northwest storyteller, reveals the story behind the memoirs and the difference between the real Betty MacDonald and her literary persona. In this guest post, designer Thomas Eykemans discusses the process of creating the cover in collaboration with the author and Seattle artist Tom DesLongchamp. He also shares the creation of the covers of three new editions of Betty’s memoirs, Anybody Can Do Anything, The Plague and I, and Onions in the Stew.

There are a million photographs of Betty MacDonald and any one of them could have made a great book cover. The portrait of a beaming bang-free Betty (below, lower left) was inset on many of the covers of her books when they were first published, and Paula describes how this particular image of her was perhaps the most familiar. Regarding The Egg and I:

After only a few months, Lippincott moved Betty’s appealing head shot from the back cover to the front, ditching Bennett’s art. For her readers, the merry pinup-girl author and the yarn she spun were indivisible. From this point on, Egg branded Betty, and Betty branded Egg.

macdonald-portraits

Various photographs of Betty MacDonald.

Despite their prevalence, a photo of Betty seemed too static for a biography about her, and definitely too black and white. Her rich life, warm personality, and merrily snarky attitude required something more energetic and colorful. Tom DesLongchamp is a Seattle-based artist and illustrator whose imaginative style is perfect for the challenge.

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