Category Archives: AAUP

University Press Week | #NextUP: Phinney Books

On this final day of University Press Week, we are delighted to showcase Phinney Books, a Seattle neighborhood bookstore known for its careful selection of titles and expertly curated subscription program. Phinney Books serves a community of wide-ranging readers and is a valued promoter of UW Press books and university presses in general. Read our Q&A with owner Tom Nissley to learn more about Phinney Books and its customers and what’s next up for the bookstore.

How do you see university presses fit into the larger publishing world?

Through the bookstore, I see the trade side of university publishing, and I love to see their qualities of authority and care for scholarship and (relative) indifference to the market turned toward publishing for general readers. In the case of UW Press (and Washington State and Oregon State), that’s often done through publishing about the Northwest, a subject of great appeal to our customers. I’m always delighted to see the new catalogs from the “national” university presses as well (and to talk about them with our wonderful sales reps) and to find out what they are publishing next with their usual rigor and imagination. Every season there are books that we know will have a significant audience but that would not otherwise find a publishing home outside a university press.

What are Phinney Books customers reading these days?

Our customers always impress me with their appetite for translated literature and meaty books on history, politics, and nature. They are trying all the books by new Nobel laureate (and store favorite) Annie Ernaux, and reading about mushrooms and Greek myths and Vikings. From UW Press, our perennial favorite is David B. Williams, our best Northwest historian, whose last three books, Too High and Too Steep, Seattle Walks, and Homewaters, have each been bestsellers for us. This season we’ve had many readers coming in asking for Megan Asaka’s new history of migrant workers in our city’s early years, Seattle from the Margins. And every once in a while, a happy customer walks out the door with one of the most beautiful books in the store, the exquisite three-volume Fishes of the Salish Sea set.

Dark-haired woman reading on a bench in front of a bookstore. Signs on the bookstore read "Phinney Books" and "BOOKS" in neon lights.

Can you recall a memorable event with a university press author?

We do very few events, almost always for neighborhood authors—many of whom are customers as well—but one of my favorites was when a sister and brother, food writer and memoirist Jess Thomson and Reed professor of history and environmental studies Joshua Howe, both had new books out from UW Press: Jess’s memoir A Year Right Here and Joshua’s documentary collection, Making Climate Change History. I loved their mutual respect for each other’s very different work, and the affection and intuitive, slightly rivalrous connection that only siblings could share. It was a special night.

Beyond events, are there other ways that you have found success when collaborating with publishers?

One of my favorite collaborations with a publisher took place behind the scenes: over the years, I got to know—almost entirely through his outreach—Andrew Berzanskis [former senior acquisitions editor at UW Press], who just moved on to become the editorial director at the University of Oklahoma Press. He was always curious to hear our frontline perspective on readers and bookselling, and I got to get a fascinating behind-the-scenes glimpse of the long-term process by which books are made.

When it comes to reaching readers, Phinney Books has been particularly forward thinking—from one of the best bookstore newsletters around to your subscription program, Phinney by Post. What’s on the horizon? Any new or upcoming programs you are particularly excited about?

Thanks for the kind words! For the most part we are busy enough with what we have going on already that we don’t have much chance to look beyond it, but we are delighted that this month we’re bringing back one of our favorite traditions, the Holiday Bookfest at the nearby Phinney Neighborhood Association, with two dozen authors (including David B. Williams and Oregon State University Press author Jessica Gigot) signing books on the Saturday before Thanksgiving. And we always love to keep spreading the word about Phinney by Post, one of the few subscription programs we know of that focuses on backlist books (“lost classics” that we think our subscribers don’t know about but will love). After eight years of the program, we look forward to celebrating our 100th selection next year. Past selections have included such university press books as Janet Lewis’s The Wife of Martin Guerre (Ohio), Charles Sprawson’s Haunts of the Black Masseur (Minnesota), Carolyn See’s Golden Days (California), Rita Dove’s Thomas and Beulah (Carnegie-Mellon), N. Scott Momaday’s The Names (Arizona), Maryse Condé’s I, Tituba, Black Witch of Salem (Virginia), and Ella Maillart’s The Cruel Way (Chicago).


This post is part of the 2022 University Press Week blog tour hosted by the Association of University Presses. This year’s theme is #NextUP, reflecting the spirit of constant learning, adaptation, and evolution within scholarly publishing. Read more about UP Week and all of the featured books and blog posts here.

University Press Week | #NextUP: Q&A with Editors of the Abolition: Emancipation from the Carceral Series

Continuing our celebration of University Press Week, today we’re highlighting our new series, Abolition: Emancipation from the Carceral. We are thrilled to be publishing this timely series that reflects the activist orientation of abolition and highlights abolitionist creative practices that explore radical worlds beyond policing and prisons. Read our Q&A with the series editors, Michael Roy Hames García and Micol Seigel, to learn more.

What is your vision for the series?

In the wake of the movement for Black lives, and especially since 2020, academic and popular interest in abolition has flourished. As the first university press series on the subject, Abolition: Emancipation from the Carceral will respond to and, we hope, shape that interest. This series will highlight academic texts across the humanities and social sciences, bringing them together so as to make more visible the larger conversation of which they are a part. Rather than understanding abolitionism as a recipe to be followed dogmatically, we see abolition as a set of open-ended questions to be asked generously in response to the conditions of a radically unjust and unfree world.

Abolitionist visions advocate for decarceration, defunding of police and prisons, and removal of the criminal legal system from people’s lives. Abolitionism is also a creative practice that entails discovering, developing, and promoting alternatives to policing and prisons such as mutual aid associations, restorative justice processes, and nonviolent approaches to personal and community safety. What might a more free and more just world look like? How might it develop? What stands in the way of its emergence? What possible relationships might this future have to present-day criminal justice reform? Abolition: Emancipation from the Carceral will offer a forum to scholars and activists continuing to pose these generative questions and more.

Who is the series for?

This series will offer a platform for the groundswell of recent work that has explored abolition in its myriad implications, centered in interdisciplinary fields such as American studies, geography, and critical ethnic studies. Perhaps books under its auspices might take up some of the keywords in this emerging field: abolition, abolition democracy, carcerality, care, collateral consequences, communal luxury, emancipation, freedom, justice, racial capitalism, social harm, and the human.

Books will speak to audiences of scholars, students, general readers, and activists with accessible prose and urgent topics, including but not limited to local policing, campus policing, family policing (child welfare systems), e-carceration and electronic monitoring, sur- and sousveillance, crimmigration and border enforcement, race and racialization, antiblackness, settler colonialism, anticarceral feminisms, involuntary medical confinement, and organizing for abolitionist reforms.

In what ways does the series engage with past and present traditions of abolitionism?

The words abolition, abolitionism, and abolitionist are most widely associated with eighteenth- and nineteenth-century movements in Europe and the Americas to end the systems of racialized enslavement—specifically, although not exclusively, of people of African descent—that evolved in tandem with the European conquest and colonization of Africa and the Americas. Contemporary uses of abolition either translate the term from slavery to a superficially unrelated context (as in the abolition of nuclear weapons) or argue that a context is structurally related to, or even an extension of, slavery (as in prison abolition). This series emerges from the latter tradition, extending the intellectual and political vision of abolitionism in order to continue the unfinished work of emancipation in the twenty-first century.

Abolition: Emancipation from the Carceral thus understands this strain of contemporary abolitionism to be constitutively both antiracist and antiprison. Its intellectual genealogy includes the groundbreaking 1971 anthology If They Come in the Morning, edited by Angela Y. Davis with the collaboration of Bettina Aptheker (reissued by Verso Books in 2016) as well as more recent volumes on prisons by Ruth Wilson Gilmore, Joy James, Dylan Rodriguez, and the Critical Resistance Publications Collective. Such authors follow skeins of antiblackness through sequential, overlapping systems of racialized labor from African chattel slavery to black codes, convict leasing, chain gangs, Jim Crow and mass incarceration, now acquiring digital forms.

The centrality of antiracism to this tradition distinguishes it from other critiques of the prison such as Michel Foucault’s 1975 book Discipline and Punish, although such critiques have been profoundly important for many abolitionists. Observing the failures of postwar civil rights movements to advance anti-racism through state policy, abolitionist thought is skeptical of the state, even in its welfare mode, understanding the ways belonging and citizenship are made available to some at the expense of others. It therefore embraces a relational analysis, an understanding of how vectors of disadvantage intersect, and the confidence that global currents and transnational networks shape all local phenomena. Abolitionist scholarship is necessarily interdisciplinary because its object of study literally refuses to remain disciplined. It is thus among the swiftest-moving, most daring and sophisticated fields of study in the academy today.

Carceral studies stretch the abolitionist project beyond the prison to consider all forms of carceral space. How might future books in the series approach carcerality in this context?

Carcerality helps point to confinement and surveillance as mechanisms for the production and maintenance of racialized inequality in U.S. society. The United States maintains the largest prison population in the world, both as a percentage of its population and in terms of absolute numbers. The social impact of prisons, however, is augmented by law enforcement, courts, and reentry policies; supplemented by video surveillance and other forms of electronic monitoring; and supported overall by ideological investments, systems of knowledge, and institutions far outside of prison walls.

As of 2019, 6.3 million adults in the United States were on probation, on parole, in state or federal prison, or in a local jail—approximately the population of Los Angeles and Chicago, combined. This number does not include children, people in federal immigration detention centers, those confined by electronic monitors to the prisons of their homes, or those in any number of other conditions that remove personal liberty at the direction of the state.

Well beyond the prison itself, recent scholarship in critical prison studies has identified roots and branches of the carceral in a range of repressive state apparatuses. Courts, hospitals, immigration systems, the military, police agencies, private police, schools and universities, and social welfare agencies devoted to matters such as child protection, public health, housing, and unemployment are all mutually reinforcing with—if not mutually constitutive of—prisons and jails. From an abolitionist perspective, the future of such systems and structures must be put into question to the extent that they support a profoundly unequal society by depriving oppressed and exploited people of their freedom.

What should authors do if they are interested in submitting to the series?

We welcome proposals for books across disciplines, from scholarly monographs, edited collections, and compelling nonfiction works written for a more general readership. Authors may be grounded in fields such as American studies, geography, history, and critical ethnic studies. Interested authors can contact either one of us or send questions/queries to UW Press acquisitions editor, Mike Baccam, at mbaccam@uw.edu.


About the Series Editors

Michael Roy Hames-García is a professor of Mexican American and Latina/o studies at the University of Texas at Austin and author of Fugitive Thought: Prison Movements, Race, and the Meaning of Justice. He previously taught at the University of Oregon and served on the City of Eugene’s Civilian Review Board, overseeing investigations into allegations of misconduct and uses of force by the Eugene Police Department.

Micol Seigel is a professor of American studies and history at Indiana University and author of Violence Work: State Power and the Limits of Police. In addition to research and teaching, Micol is involved in the Critical Prison Studies caucus of the American Studies Association and the Tepoztlán Institute for the Transnational History of the Americas.


This post is part of the 2022 University Press Week blog tour hosted by the Association of University Presses. This year’s theme is #NextUP, reflecting the spirit of constant learning, adaptation, and evolution within scholarly publishing. Read more about UP Week and all of the featured books and blog posts here.

University Press Week | #NextUP: Jordan Biro Walters, author of Wide-Open Desert: A Queer History of New Mexico

In celebration of University Press Week, we are delighted to feature Jordan Biro Walters, associate professor of history at the College of Wooster and a first-time university press author. Her book, Wide-Open Desert: A Queer History of New Mexico, is forthcoming January 2023. Read our Q&A with Jordan to learn more about the book, her experience as a new author, and how working with a university press has benefitted her work.

Why publish with a university press?

Because Wide-Open Desert: A Queer History of New Mexico is the first comprehensive study of queer lives in the twentieth-century American Southwest, a virtually unexplored region in LGBTQ+ history, I only had a small research trail to follow when I started the project. Interest in sexuality, specifically the LGBTQ+ past in American West history, is recent. My collaboration with the University of Washington Press—well-known for works in American history, visual culture, critical ethnic studies, Native and Indigenous studies, and women, gender, and sexuality—allowed me to contextualize Wide-Open Desert for scholars in these disciplines. Additionally, I worked closely with UW Press to share the stories of Pueblo, Navajo, Nuevomexicanx, and white LGBTQ+ people with a general audience.

Covering more than seventy years of New Mexican history, the book brings together the narratives of queer mobility and cultural productions to think about their relevance to sexual politics and gay liberation activism. In anticipation of the book’s release, I’ve heard from scholars interested in purchasing the book to explore interrelated themes in their own research, such as women’s friendship and intimacy in 1940s modernist circles. Additionally, a documentarian contacted me wanting oral histories to make a film about Claude’s, a bohemian bar in Santa Fe, New Mexico known for its regular crowds of gay and lesbian artists in the early 1950s and through the 1960s. Publishing with a university press was important in giving my work visibility among these different audiences.

Tell us more about your experiences working with a university press.

It takes many hands to make a book. As a first-time author, I greatly benefited from the guidance of a team of people who assisted with developing, copy editing, designing, and marketing my book. In particular, [editorial director] Larin McLaughlin and editorial assistant Caroline Hall helped me manage copyright permissions. The queer history of New Mexico is scattered in various archives, unpublished personal narratives, private visual queer representations, and people’s memories. Part of this project was to create a composite portrait of queer lives, grounded in archival and oral research, that will serve as a starting point for others. UW Press helped me to navigate the copyright process. A few images I wanted to include in the book, especially the cover image, proved difficult to track down the necessary permissions. While securing copyright falls on the author’s shoulders, Larin and Caroline offered guidance on how to proceed when I hit a roadblock. It was important to me to start my book (the cover) with queer women who have long been overshadowed by works about men. This book begins with queer women’s voices and from there highlights people who possessed a wide range of desires, sexual subjectivities, and gender variance. A university press’s familiarity with the scholarly process enabled me to use all the materials I collected as fully as possible.

How do you see university press publishing as helpful to your work and career? What are your thoughts on the university press community as a whole?

Scholarly presses serve a public good by producing trustworthy sources of information by experts who aim to bring their intellectual expertise to expand people’s ways of thinking and solve modern injustices. They take risks in publishing cutting edge ideas. Academic theory, in conjunction with community activism, eventually seeps into mainstream culture and has a tremendous effect on the way people think and talk. As a short example, the term nonbinary, conceptualized by activists and queer theorists in the 1990s, is now used by many ordinary people to self-identify. Wide-Open Desert contributes to a body of scholarship that shows that queer, nonbinary, and trans identified folks have always been here, even though people used different terms to describe themselves. They embraced innovative ways to survive and thrive. My work argues that queer people contributed substantially to making Santa Fe the third largest art market in the United States. Creative centers, like large cities, inspired queer people to move, place-make, and unleash their creativity. Over several decades, both subtle and explicit queer cultural production opened sexual discourse, which served as a foundation for the later triumphs of the modern gay liberation movement.

Was there a particularly significant book that influenced your own?

I read Andrew J. Jolivétte’s (Atakapa-Ishak Nation of Louisiana) Indian Blood: HIV and Colonial Trauma in San Francisco’s Two-Spirit Community [published by UW Press in 2016]. The book explores the HIV epidemic among, gay, two-spirit, and transgender Native people who also identify as mixed race. Jolivette’s succinct chapters address structural risk factors, particularly the ongoing effects of settler colonialism, and the final chapter offers a solution—implementation of intergenerational healing and cultural leadership. Indian Blood influenced me to work with UW Press. It made me rethink university presses, which I conceived of as producing lengthy and dense academic works for specialists. I was impressed by the readability and short length. My own book also centers two-spirit history and interrogates colonialism. Similar to Jolivette, I show the harm of settler colonialism through the suppression of two-spirit roles. At the same time, queer Native artists pushed back through artistic and cultural survival tactics. Particularly for historically underrepresented communities who were often shut out of formalized political structures, creative expression served as an arena for activism. The geographical and cultural borderlands of the American Southwest afford scholars an opportunity to better understand both the exclusion and flourishing of racially diverse queer representations outside of gay meccas. New Mexico has a long queer history and remains a center of queer creativity.


This post is part of the 2022 University Press Week blog tour hosted by the Association of University Presses. This year’s theme is #NextUP, reflecting the spirit of constant learning, adaptation, and evolution within scholarly publishing. Read more about UP Week and all of the featured books and blog posts here.

#UPWeek: 10 Publications From The Past Decade That Best Represent UW Press

This year marks the tenth anniversary of the Association for University Presses’ annual University Press Week, and member presses are celebrating how we have evolved over the past decade. The story of UW Press’s evolution can be seen through the following ten books published in the last ten years.

No-No Boy (2014. First edition published in 1979)

By John Okada. Foreword by Ruth Ozeki

Initially ignored and quickly forgotten, John Okada’s powerful novel reached a broad audience only after its republication in the late 1970s by a group of activists intent on proving the existence of an Asian American body of literature. Since then, it has remained central in discussions of Asian American literature and resistance on campus and off, and is one of the press’s all-time bestsellers.

The Republic of Nature: An Environmental History of the United States (2013)

By Mark Fiege. Foreword by William Cronon.

Mark Fiege reframes the canonical account of American history based on the radical premise that nothing in the nation’s past can be considered apart from the natural circumstances in which it occurred. He demonstrates how environmental history permeates the breadth of the United States, including in unexpected places such as the Salem witch trials, racial segregation, and the modern women’s movement.

Northwest Coast Indian Art: An Analysis of Form, 50th Anniversary Edition (2014)

By Bill Holm

Through his careful studies of hundreds of artworks, Bill Holm developed a description of and terminology for the visual language used by northern Northwest Coast artists to illustrate inherited crests and tell family stories. His book has become a foundational reference work and study guide for contemporary Native carvers, painters, and weavers looking to draw upon or reinterpret the traditional work of their ancestors.

America Is in the Heart: A Personal History, Second Edition (2014)

By Carlos Bulosan

Carlos Bulosan’s fictionalized autobiography of his journey from the Philippines to Seattle to California reveals the brutal reality of oppression, racism, poverty, and violence experienced by Filipino American migrant workers in the twentieth century. Following UW Press’s reissue of the book in 1973 and against the backdrop of the Vietnam War, it became a critical text in the emerging field of ethnic studies. A masterful, searing critique of US imperialism, America Is in the Heart illuminates the human costs to US exploitation and global capitalism and asks readers to consider whether it’s possible for America to live up to its promise.

Native Seattle: Histories from the Crossing-Over Place, Second Edition (2017)

By Coll Thrush. Foreword by William Cronon

Native Seattle transformed historical understandings of Pacific Northwest urban spaces by centering the region’s Coast Salish peoples in this revealing urban history. Thrush’s research not only restores the foundational stories of Native people within Seattle’s deeper history, but also identifies the processes used to actively relegate Indigenous people to a remote past rather than acknowledging and representing their continued dynamic shaping of the history of cities beyond the Northwest.

Zuo Tradition / Zuozhuan: Commentary on the “Spring and Autumn Annals” Volume 3 (2017)

Translated by Stephen Durrant, Wai-yee Li, and David Schaberg

These three volumes make China’s earliest narrative history available for scholars of the ancient world in an unabridged, extensively annotated translation. The authoritative edition for teaching, research, and citation, it offers facing pages of Chinese and English that enable it to serve the needs of a wide range of researchers.

Flora of the Pacific Northwest: An Illustrated Manual, Second Edition (2018)

By C. Leo Hitchcock and Arthur Cronquist

The first edition of Flora was quickly established as the bible of botanists and gardeners in the region, who used it in the field and in the classroom for a half-century. The second edition, revised by David E. Giblin, Ben S. Legler, Peter F. Zika, and Richard G. Olmstead, incorporates extensive changes in plant nomenclature, taxa new to science, and documentation of new native and nonnative species in the Pacific Northwest, but follows the same now-standard structure.

Asian American Feminisms and Women of Color Politics (2018)

Edited by Lynn Fujiwara and Shireen Roshanravan

This collection, featuring work by both senior and rising scholars, brings together groundbreaking essays that speak to the relationship between Asian American feminisms, feminist of color work, and transnational feminist scholarship. Asian American Feminisms and Women of Color Politics provides a deep conceptual intervention into the theoretical underpinnings of Asian American studies; ethnic studies; women’s, gender, and sexual studies; as well as cultural studies in general.

We Are Dancing for You: Native Feminisms and the Revitalization of Women’s Coming-of-Age Ceremonies (2018)

By Cutcha Risling Baldy

This courageously personal book about the Hupa revitalization of the Flower Dance challenges anthropological theories about menstruation, gender, and coming-of-age; and addresses gender inequality and gender violence within Native communities. In addition to being widely used in college classes, We are Dancing for You has been distributed to American Indian youth centers, Native rehabilitation programs, correctional facilities, and Tribal libraries across the state of California through the Native Women’s Collective, the nonprofit cofounded by Dr. Risling Baldy.

Artisans in Early Imperial China (paperback published in 2021)

By Anthony J. Barbieri-Low

Taking readers inside the private workshops, crowded marketplaces, and great palaces, temples, and tombs of early China, Barbieri-Low explores the lives and working conditions of artisans, meticulously documenting their role in early Chinese society and the economy. First published in 2007, winner of top prizes from the Association for Asian Studies, American Historical Association, College Art Association, and the International Convention of Asia Scholars, and now back in print, Artisans in Early Imperial China will appeal to anyone interested in Chinese history, as well as to scholars of comparative social history, labor history, and Asian art history.

Celebrating Gita Manaktala, Recipient of the AUPresses Constituency Award

This week the Association of University Presses (AUPresses) meets in Detroit. At the same time, participating presses are hosting a special blog tour to celebrate the colleagues with whom we collaborate to make university press publishing happen. At the opening reception to the meeting I had the honor of presenting the AUPresses Constituency Award to Gita Manaktala, Editorial Director of the MIT Press. Below are my remarks.

Larin McLaughlin

Editor in Chief, University of Washington Press


First given in 1991 to Naomi Pascal, my predecessor at the University of Washington Press, the AUPresses Constituency Award recognizes active leadership and outstanding service to the association and the wider scholarly publishing community.

In university press publishing, our collective work is full of moments, ideas, and encounters that inspire and transform. Readers of our books and journals find new ideas that shift their understanding, buried and little-known histories, and remarkable people and communities they might otherwise never know. We hear of our authors’ amazement and joy when their first books arrive, we celebrate bestsellers, and watch readers pore over eagerly anticipated new releases.

Undergirding those experiences we create for others are the daily ways we inspire, challenge, and transform each other—and this award gives us the chance to celebrate those. This year’s Constituency Award recipient, Gita Manaktala, has been a brilliant and passionate exemplar of the best of what we are in her nearly 30-year career with the MIT Press and her ongoing commitment to and work with AUPresses.

At the MIT Press Gita has overseen a large and complex acquisitions program since 2010, with direct management responsibilities for 14 acquisitions editors in her role as Editorial Director. Prior to that, she was Director of Marketing, with oversight of global sales, marketing, publicity, and electronic product development. She shares her wide-ranging expertise and immense wisdom readily—one colleague mentioned that she is one of the people you hope to see immediately on arrival at the annual meeting because she “will have insights to share with you that no one else has thought of.”

Gita’s contributions to the work of AUPresses over more than a decade would take me beyond my time limit to detail, but highlights include chairing the program committee for the 2011 annual meeting, which was described as “one of the most vibrant, creative, lucrative and community-building programs of the last decade.” She also played an active role in the large collaborative project of creating the Peer Review Best Practices handbook, which brought together dozens of acquisitions editors to create a single guiding document.

I have worked with Gita most closely as part of the Mellon University Press Diversity Fellowship program and as co-chair of the AUPresses Diversity and Inclusion Task Force. In this work Gita’s seasoned engagement, clarity of thought, and practice of skilled listening contributed immensely to our efforts. I have been so grateful to benefit from the example of Gita’s graceful leadership as well as her incisive editing—and I know so many of those of us who have worked with Gita have similar experiences.

Her letters of nomination for this award illustrate how much so many of us cherish Gita’s contributions to our work. One points out how “her knowledge, her charisma, her humor, her charm—are all generously bestowed on our membership.” Another colleague described Gita as “a strong ambassador for the cooperative and collaborative spirit that defines the AUPresses”

Gita’s passion for and expertise in so many areas of publishing has provided rich mentorship within the AUPresses. Her willingness to put generous and significant effort behind her clear commitments to publishing and justice has been key to the work the MIT Press, the Mellon fellowship partner presses, and the AUPresses have undertaken in the area of equity, inclusion, and justice more broadly. Please join me in celebrating her today.

#UPWeek 2017 Blog Tour: Libraries and Librarians Helping Us All #LookItUP

We’re now approaching the end of the sixth annual University Press Week 2017 and UP Week Blog Tour! Thank you and our university press colleagues for celebrating the value of our books and expertise of our authors with this year’s theme, #LookItUP: Knowledge Matters.

Each day this week university presses blogged about why facts, knowledge, and expertise matter. Today’s final day of posts explores how libraries, librarians, and university presses work together to promote scholarship.

Catch up on all of the posts from the UP Week Blog Tour and see you on social media with the #LookItUP and #ReadUP hashtags!

Friday: Libraries and Librarians Helping Us All #LookItUP

University of Missouri Press
The Lanford Wilson Collection at MU Libraries Special Collections and Rare Books

University of Nebraska Press
Introducing Lincoln’s Most Passionate Reader

University Press of Florida
Q&A with Digital Scholarship Librarian Laurie Taylor on New Open Books Series

University of Georgia Press
Librarians are our First Line of Defense against Fake News

University of Alabama Press
University Press Week: Knowledge Matters – Q&A with Associate Dean for Research and Technology Tom Wilson

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#UPWeek 2017 Blog Tour: #TwitterStorm

Welcome back to the sixth annual University Press Week 2017 and day four of the UP Week Blog Tour. We are thrilled to join fellow university presses to celebrate the value of our books and expertise of our authors with this year’s theme, #LookItUP: Knowledge Matters.

Each day this week university presses will be blogging about why facts, knowledge, and expertise matter. Today’s theme is #TwitterStorm, and features posts about how social media has contributed to the success of university press initiatives, titles, and scholarship.

Check back tomorrow for the final posts from the UP Week Blog Tour and join on social media with the #LookItUP and #ReadUP hashtags!

Thursday: #TwitterStorm

Harvard University Press
Social Media and Scholarship (and Impeachment)

Johns Hopkins University Press
Make Your Voice Heard in 2017’s Town Square: Tips to Effectively Participate in the Twitter Conversation

Athabasca University Press
University Press Week Blog Tour 2017: Making Publishing Visible

Beacon Press
Social Media’s Role in Lifting Up “For White Folks Who Teach in the Hood…and the Rest of Y’all Too” (University Press Week 2017)

#UPWeek 2017 Blog Tour: Producing the Books that Matter

Welcome back to the sixth annual University Press Week 2017 and day three of the UP Week Blog Tour. We are thrilled to join other university presses to celebrate the value of our books and expertise of our authors with this year’s theme, #LookItUP: Knowledge Matters.

Each day this week university presses will be blogging about why facts, knowledge, and expertise matter. Today’s theme is Producing the Books that Matter, and features pieces focusing on how editorial, production, and design help books succeed.

Check back throughout the week for more posts from the UP Week Blog Tour and join on social media with the #LookItUP and #ReadUP hashtags!

Wednesday: Producing the Books that Matter

University of Kansas Press
Producing Books that Matter; University Press Week, 2017

University of California Press
ASA, Interdisciplinary Associations, and American Studies Now

Georgetown University Press
UPWeek Blog Tour: Producing Books that Matter

UBC Press
Exciting times, indeed, but also nerve-wracking: UBC Press’ foray into trade publishing

University of Michigan Press
“Academic Ableism” Author Interview-Part 1

Fordham University Press
UP Week! Producing the Books that Matter

Yale University Press
Decoding the Voynich Manuscript

MIT Press
University Press Week: Inspired to be Resolutely Disobedient

#UPWeek 2017 Blog Tour: Scholarship Making a Difference and Selling the Facts

Happy sixth annual University Press Week 2017! We are thrilled to take part in this year’s UP Week Blog Tour and join other university presses to celebrate the value of our books and expertise of our authors with this year’s theme, #LookItUP: Knowledge Matters.

Each day this week university presses will be blogging about why facts, knowledge, and expertise matter. Monday featured posts about Scholarship Making a Difference. Today’s theme is Selling the Facts, and features posts from bookstores, booksellers, and other university press sales staff on selling books in today’s political climate or as a form of activism.

Check back throughout the week for more posts from the UP Week Blog Tour and join on social media with the #LookItUP and #ReadUP hashtags!

Monday: Scholarship Making a Difference

Wilfrid Laurier University Press
Why University Presses Matter by Daniel Heath Justice

Temple University Press
Celebrating University Press Week: Scholarship Making a Difference

Wayne State University Press
#UPWeek: Scholarship Makes a Difference

University Press of Colorado
Tools for Surviving in a Post-Truth World

Princeton University Press
University Press Week: Scholarship Makes a Difference

Oregon State University Press
Scholarship Making a Difference: The Alternate Route for Nuclear Disarmament

George Mason University Press
Playfair and the search for elusive truth

Cambridge University Press
The Struggle for Equality, Recognition and Reward

University of Toronto Press
Part 1: The Power of History to Galvanize and Energize
Part 2: Winning Hearts and Minds: Publishing that Matters

University of Washington Press
From the Desk of the Director: Knowledge and Facts Matter

Tuesday: Selling the Facts

University of Minnesota Press
#UPWeek: Knowing the Facts.

University of Texas Press
Selling the Facts in Independent Bookstores

University of Hawai`i Press
#LookItUP: Free Speech and the Media in UHP Journals

Johns Hopkins University Press
Ivy Bookshop: Selling the Facts and Serving the Community

Duke University Press
Selling the Facts: Sales Manager Jennifer Schaper Reports from the Frankfurt Book Fair

Columbia University Press
A Field Guide to Engaging with the World through Bookstores

University Press of Kentucky
At What Cost: Selling Books in the Age of Trump

University of Toronto Press
Selling the Books that Matter: Experiences of a Higher Ed Sales Rep

From the Desk of the Director: Knowledge and Facts Matter

With fall quarter now well underway, I thought I’d take a moment to update you on the latest news from the University of Washington Press.

It has been an especially busy time for me since I assumed the presidency of the Association of University Presses at our annual meeting this past June. Diversity and inclusion were pervasive themes at the conference this summer thanks in large part to our Mellon-funded University Press Diversity Fellowship Program, which was featured during the opening plenary, two panels, and a breakfast roundtable. Our first Mellon fellow, Niccole Coggins, is now an assistant editor on our permanent staff, and in early June we welcomed our second fellow, Mike Baccam. This is the first program of its kind in university press publishing and we are proud to be taking the lead in increasing diversity in our industry together with our partner presses at MIT, Duke, and Georgia.

To expand on this work, my first initiative as president of the Association was to create the new Diversity and Inclusion Task Force. I am also working on other initiatives, including forming an international working group. I’ve just returned from a board of directors meeting in Washington, DC, where I was also able to participate in a publishing workshop for doctoral and post-doctoral scholars (Kluge Fellows) currently researching a wide variety of topics at the Library of Congress.

Advocating for the value of university presses is one of my main duties as president. A recent piece in Publishers Weekly, which I coauthored with Association executive director Peter Berkery, discusses the importance of scholarship in the current political climate. During this time of “fake news” and “alternative facts,” university presses offer deeply informed, reliable discussions of pressing issues, including questions about climate change, disputes over the meaning of public monuments, and debates about the rights of refugees. As we launch University Press Week on the theme “#LookItUP: Knowledge Matters,” I find myself thinking back to Dan Rather’s words at our annual meeting in June where he told a room full of scholarly publishers: “Our country needs you and your work right now. . . . What you do matters.”

Throughout the year, we at UW Press provide dozens of opportunities to engage in informed discussions at public events with our authors. Please visit our events calendar for more information, and find us and other presses during UP Week online with the hashtag #LookItUP. We hope you’ll join the conversation.

With very best wishes,

Nicole F. Mitchell
Director, University of Washington Press
President, Association of University Presses 2017–2018

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