Tag Archives: Politics

A History of Dissent at National Conventions: Lessons from 1968’s Festival of Life

Based on the media coverage so far, the 2016 Republican and Democratic national conventions are looking to be among the most divisive and controversial in over fifty years. In this guest post, Craig J. Peariso—author of Radical Theatrics: Put-Ons, Politics, and the Sixties—revisits the 1968 Democratic National Convention in Chicago and how it might inform this month’s events.

At the turn of 1968, Abbie and Anita Hoffman, Jerry Rubin, Nancy Kurshan, Paul Krassner, and Ed Sanders began making plans to hold a music festival as something of a counterpoint to the Democratic National Convention in Chicago that summer. It would be a “Festival of Life,” as they called it, in opposition to the Democratic “Party of Death.” The friends envisioned rock bands playing as America’s youth demonstrated not just their opposition to the war, but the version of liberation that the counterculture offered. To bring young people to Chicago, they would call their sponsoring organization the Youth International Party, a name that stressed their core constituency, of course, but also served as a bit of a pun. For those accustomed to traditional Party politics, the name would sound somewhat official, but for those who weren’t interested in politics-as-usual, the word “Party” could be read differently. Much as the mainstream political Parties tended to involve drudgery and compromise, the Festival of Life and the Youth International Party would be about celebration, a fact the group emphasized in the preferred way of pronouncing their acronym: Y.I.P. became “Yippie!”

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Behind the Covers: Radical Theatrics

Final cover design

Final cover design

As part of a series of guest posts, UW Press Designer Dustin Kilgore walks us through the various design concepts that eventually brought him to a book’s final cover:

Craig Peariso’s Radical Theatrics: Put-ons, Politics, and the Sixties analyzes the theatrical actions of the 1960s counterculture movement and finds that, contrary to popular belief, their over-the-top antics were more than attention-seeking displays. From Occupy Wall Street and Flood Wall Street to the creative Keystone XL pipeline protests, such theatrics are still considered effective by the diverse groups within American society expressing political dissent.

To mirror the book’s approach of using contemporary 1960s source materials in its analysis, I thought the book’s overall design should feel as much from that time period as possible without being nostalgic or resorting to tired stock protest imagery.

The image research included print ephemera  and documentary photography of protests as diverse as the October 21st March to “Levitate the Pentagon” to humble Quaker pray-ins in front of the White House.

Selected image research.

Selected image research.

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